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Gibson Les Paul Studio
PRS S2 McCarty 594 Singlecut
VS
Playability
73
Sound
75
Build
70
Value
68
Score
73
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Playability
75
Sound
73
Build
65
Value
66
Score
71
FIND IT ON:
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Side to side spec comparison >

Gibson Les Paul Studio vs PRS S2 McCarty 594 Singlecut

Reasons to Get
Gibson Les Paul Studio over PRS S2 McCarty 594 Singlecut

Weight Relief
Yes vs None
Lighter Body
Neck Profile
Slim Taper vs Pattern Vintage
Comfortable neck that works for most people
Pickup Mods
Coil Tap vs Coil Split
Lowers output of humbucker coil to create a single coil sound
Neck Thickness at 1st Fret
0.82'' (20.8mm) vs 0.87'' (22.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.92'' (23.4mm) vs 0.97'' (24.6mm)
More comfortable at higher frets for small hands
Nut Width
1.693'' (43mm) vs 1.688'' (42.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Scale Length
24.75'' (628.7mm) vs 24.6'' (624.8mm)
Lower action and brighter natural tone
Fretboard Radius
12'' (304.8mm) vs 10'' (254mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
68 vs 66
Better price/quality relationship

Reasons to Get
PRS S2 McCarty 594 Singlecut over Gibson Les Paul Studio

Release Year
2020 vs 2019
From a more recent year
Neck Profile
Pattern Vintage vs Slim Taper
Adapts to the natural shape of your hand
Pickup Mods
Coil Split vs Coil Tap
Splits humbuckers into single coil pickups
Neck Thickness at 1st Fret
0.87'' (22.1mm) vs 0.82'' (20.8mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.97'' (24.6mm) vs 0.92'' (23.4mm)
More comfortable at higher frets for big hands
Nut Width
1.688'' (42.9mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Scale Length
24.6'' (624.8mm) vs 24.75'' (628.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
10'' (254mm) vs 12'' (304.8mm)
More curved fretboard helpful to play chords without muting strings
Avg. Weight
8.1lbs (3.7kgs) vs 8.425lbs (3.8kgs)
Tends to be lighter

Other Key Differences
Gibson Les Paul Studio vs PRS S2 McCarty 594 Singlecut

Bridge Pickup
Gibson 498T vs PRS 58/15 S
Different Bridge Pickup
Neck Pickup
Gibson 490R vs PRS 58/15 S
Different Neck Pickup
Nut Material
Ivory Tusq vs PRS Propietary
Different Nut Material

Shared Features
Gibson Les Paul Studio vs PRS S2 McCarty 594 Singlecut

Body Wood
Mahogany
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Fretboard Wood
Rosewood
Same Fretboard Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Volume Knobs
2
Same volume control
Tone Knobs
2
Same tone control
Pickups
HH
High output without hum
Number of Frets
22
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Pickups Power
Passive
Cleaner sound and no battery needed
Decorative Top
Maple
Finished with beautiful natural wood patterns
Neck Joint
Set
Neck is glued to the body
Type of Frets
Medium Jumbo
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Neck-Through Build
  • Locking Tuners
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Gibson Les Paul Studio Prices

SET PRICE ALERT

PRS S2 McCarty 594 Singlecut Prices

SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Gibson Les Paul Studio is probably the better product overall with its final score of 73 compared to the PRS S2 McCarty 594 Singlecut's 71 score, although not by a lot.

The Gibson Les Paul Studio wins when it comes to sound, build quality, value for the money. On the other hand, the PRS S2 McCarty 594 Singlecut has the upper hand when it comes to playability.

If you got small hands, you'll probably feel more comfortable playing the Gibson Les Paul Studio.

Which One is Better for Beginners?

Both meet 4 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Gibson Les Paul Studio
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

PRS S2 McCarty 594 Singlecut
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Short scale
  • Comfortable fretboard
  • Narrow nut
  • Comfortable neck
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Gibson Les Paul Studio Overview

  • From Gibson's 2019 Modern Collection series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Maple top
  • Mahogany body
  • Mahogany neck
  • Rosewood fretboard
  • Bridge pickup: Gibson 498T (Humbucker/Passive)
  • Neck pickup: Gibson 490R (Humbucker/Passive)
  • 2 volume and 2 tone Speed knobs
  • 3-way Switch
  • Aluminum Nashville Tune-O-Matic bridge
  • Slim Taper Set neck
  • 22 Medium Jumbo frets
  • Regular Tuners tuners
  • Weight between 7.9lbs (3.6kgs) and 8.95lbs (4.1kgs)
  • Compare Specs >

PRS S2 McCarty 594 Singlecut Overview

  • From PRS's 2020 S2 series
  • Made in United States
  • 6 strings
  • 24.6"'' scale
  • 10" Fretboard Radius
  • Maple top
  • Mahogany body
  • Mahogany neck
  • Rosewood w/ Faux Bone Binding fretboard
  • Bridge pickup: PRS 58/15 S (Humbucker/Passive)
  • Neck pickup: PRS 58/15 S (Humbucker/Passive)
  • 2 volume and 2 tone Speed knobs
  • 3-way Switch
  • PRS Two-Piece bridge
  • Pattern Vintage Set neck
  • 22 Medium Jumbo frets
  • Vintage-Style tuners
  • Weight around 8.1lbs (3.7kgs)
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Tie.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Both give you different pickup mod options.

The Gibson Les Paul Studio offers Coil Tap.

Coil Tap is similar to Coil Split but it works a bit differently. Instead of completely cancelling one of the coils of the humbucker, it only cuts part of the output once activated. Some people believe this gives the split pickups a more real single-coil sound.

On the other hand, the PRS S2 McCarty 594 Singlecut comes with the following: Coil Split.

Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

Gibson Les Paul Studio pickups switch and push knobs diagram
Gibson Les Paul Studio's switch options
PRS S2 McCarty 594 Singlecut pickups switch and push knobs diagram
PRS S2 McCarty 594 Singlecut's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Tie.

Final Sound Quality Scores

Gibson Les Paul Studio
Pickups 90
Sustain 75
Versatility 63
Tuning Stability 70
Sound 75
PRS S2 McCarty 594 Singlecut
Pickups 90
Sustain 70
Versatility 63
Tuning Stability 70
Sound 73

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Les Paul Studio compares to the PRS S2 McCarty 594 Singlecut.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in United States.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Gibson Les Paul Studio has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

On the other hand, the PRS S2 McCarty 594 Singlecut comes with a PRS Propietary nut. It's similar to TUSQ nuts, but they're not as hard, and the tone is not as bright. However, the material is self-lubricating, and it's usually well cut, so they have good tuning stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

Both come with regular tuners. The Gibson Les Paul Studio's are Regular Tuners while the PRS S2 McCarty 594 Singlecut's are Vintage-Style

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Les Paul Studio
  • Made in United States
  • Expensive Wood
  • Ivory Tusq Nut
  • Top Brand Pickups
  • Coil Tap Pickups
  • Weight Relief
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
PRS S2 McCarty 594 Singlecut
  • Made in United States
  • Expensive Wood
  • PRS Propietary Nut
  • Top Brand Pickups
  • Coil Split Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Gibson Les Paul Studio
Quality of materials 60
Features 60
Quality Control 90
Build Quality 70
PRS S2 McCarty 594 Singlecut
Quality of materials 50
Features 55
Quality Control 90
Build Quality 65

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Les Paul Studio Nut Width
Gibson Les Paul Studio Nut Width
PRS S2 McCarty 594 Singlecut Nut Width
PRS S2 McCarty 594 Singlecut Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Gibson Les Paul Studio has the wider nut with 43mm (1.693'') vs 42.9mm (1.688''). This is a 0.1mm (0.0050000000000001'') difference

This means that it will be more difficult to do bar chords on the Gibson Les Paul Studio, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Gibson Les Paul Studio's Scale Length
Gibson Les Paul Studio's Scale Length
PRS S2 McCarty 594 Singlecut's Scale Length
PRS S2 McCarty 594 Singlecut's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Gibson Les Paul Studio has the longest scale: 24.75". The PRS S2 McCarty 594 Singlecut is only 24.6" long. This is a 0.15'' (3.8mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Les Paul Studio Neck Profile
Gibson Les Paul Studio's neck profile
PRS S2 McCarty 594 Singlecut Neck Profile
PRS S2 McCarty 594 Singlecut's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Gibson Les Paul Studio has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The PRS S2 McCarty 594 Singlecut, on the other hand, has a Asymmetrical neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.

Fretboard Radius

Gibson Les Paul Studio Fingerboard Radius
Gibson Les Paul Studio's Fingerboard radius
PRS S2 McCarty 594 Singlecut Fingerboard Radius
PRS S2 McCarty 594 Singlecut's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the PRS S2 McCarty 594 Singlecut's fingerboard radius is smaller, which means it's more curved than the Gibson Les Paul Studio's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Gibson Les Paul Studio.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the PRS S2 McCarty 594 Singlecut favors large hands more than the Gibson Les Paul Studio.

Gibson Les Paul Studio:
Big Hands
Small Hands
PRS S2 McCarty 594 Singlecut:
Big Hands
Small Hands

Fret Size

Gibson Les Paul Studio and PRS S2 McCarty 594 Singlecut Frets Size
Both have a similar Medium Jumbo fret size

Both have a Medium Jumbo fret size. These are slightly shorter than full Jumbo frets, so you'll still feel the fretboard when pressing down the strings. However, they interfere less with your fretting hand than medium-size frets. This is a good size if you like easy-to-press frets, but would still like to feel a bit of the fretboard when playing.

Final Playability Scores

Gibson Les Paul Studio
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73
PRS S2 McCarty 594 Singlecut
Bending & Vibrato Ease 85
Chord Playability 85
Solo Playability 55
Playability 75

Specs Side-by-Side

Gibson Les Paul Studio vs PRS S2 McCarty 594 Singlecut
General Gibson Les Paul Studio PRS S2 McCarty 594 Singlecut
Brand: Gibson PRS
Year: 2019 2020
Configuration: HH HH
Strings: 6 6
Made in: United States United States
Series: Modern Collection S2
Colors: Black, Brown Burst, Red, Orange Burst Blue, Green, Gray, Red Burst, Dark Cherry Sunburst, McCarty Sunburst
Left-Handed Version: Yes No
Body
Type: Solid Body Solid Body
Body Material: Mahogany Mahogany
Bridge: Aluminum Nashville Tune-O-Matic PRS Two-Piece
Neck
Neck Joint: Set Set
Tuners: Regular Tuners Vintage-Style
Fretboard: Rosewood Rosewood w/ Faux Bone Binding
Neck Material: Mahogany Mahogany
Decoration: Acrylic Trapezoids Birds
Scale Size: 24.75" 24.6"
Shape: Slim Taper Pattern Vintage
Thickness: 1st Fret: 0.82'' (20.8mm) - 12th Fret: 0.92'' (23.4mm) 1st Fret: 0.87'' (22.1mm) - 12th Fret: 0.97'' (24.6mm)
Frets: 22 Medium Jumbo Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 10"
Nut: Ivory Tusq PRS Propietary
Nut Width: 43mm (1.693'') 42.9mm (1.688'')
Electronics
Bridge Pickup: Gibson 498T (Humbucker / Passive) PRS 58/15 S (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Gibson 490R (Humbucker / Passive) PRS 58/15 S (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Speed Speed
Pickup Mods: Coil Tap Coil Split
Volume Controls: 2 2
Tone Controls: 2 2