Gibson J-45 Standard vs Takamine P6JC
Reasons to Get
Gibson J-45 Standard over Takamine P6JC
Reasons to Get
Takamine P6JC over Gibson J-45 Standard
Other Key Differences
Gibson J-45 Standard vs Takamine P6JC
Shared Features
Gibson J-45 Standard vs Takamine P6JC
Common Strengths
- Solid Top Wood
- Solid Back Wood
- High-Quality Nut
- From a High-Quality-Standards Country
- Top Pickup Brand
- Expensive Wood
Common Weaknesses
- Pickup Alter Switch/Knob
- Locking Tuners
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the Gibson J-45 Standard is probably the better product overall with its final score of 86 compared to the Takamine P6JC's 83 score, although not by a lot.
The Gibson J-45 Standard wins when it comes to sound, playability, build quality, value for the money. This means that it wins over the Takamine P6JC in every aspect.
However, there's still a reason to choose the Takamine P6JC instead. If you got small hands, you'll probably feel that the Takamine P6JC is easier to play.
Which One is Better for Beginners?
If you're looking for your first guitar to learn how to play, the Takamine P6JC is the better choice.
The Takamine P6JC meets 4 out of our 8 criteria items for beginner friendliness, while the Gibson J-45 Standard meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Gibson J-45 Standard- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
New Player Friendliness
Takamine P6JC- Easy-to-use bridge
- Tall frets
- Narrow nut
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Short scale
- Soft Strings
- Locking tuners
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Gibson J-45 Standard Overview
- From Gibson's 2022 Modern Acoustic series
- Made in United States
- 6 strings
- 24.75"'' scale
- 12" Fretboard Radius
- Solid Sitka Spruce top
- Solid Mahogany back
- Solid Mahogany sides
- Mahogany neck
- Indian Rosewood fretboard
- Bridge pickup: LR Baggs VTC (Preamp/Active)
- Reverse Belly, Rosewood bridge
- Acoustic Slim Taper Set neck
- 20 Medium frets
- Grover Rotomatic tuners
- Weight around 4.5lbs (2kgs)
- Compare Specs >
Takamine P6JC Overview
- From Takamine's 2013 Pro Series 6 series
- Made in Japan
- 6 strings
- 25.4"'' scale
- 12" Fretboard Radius
- Solid Spruce top
- Solid Flame Maple back
- Maple sides
- Maple neck
- Ebony fretboard
- Bridge pickup: CTP-3 CoolTube (Preamp/Active)
- Fixed bridge
- Acoustic Asymmetrical C Set neck
- 20 Medium frets
- Takamine Gold tuners
- Compare Specs >
Sound Quality Comparison
The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .
Woods Used in Both
Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.
Woods Used in the Gibson J-45 Standard
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Woods Used in the Takamine P6JC
Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.
Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.
This wood has beautiful patterns only found in specific types of maple.
Winner: Tie.
Electronics
Both come with electronics that allow you connect them to an amplifier or interface for recording.
Winner:Tie.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson J-45 Standard compares to the Takamine P6JC.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Gibson J-45 Standard is built in United States while the Takamine P6JC is made in Japan.
The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.
Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Gibson J-45 Standard has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.
On the other hand, the Takamine P6JC comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
Winner: Tie.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Tuners
Both come with regular tuners. The Gibson J-45 Standard's are Grover Rotomatic while the Takamine P6JC's are Takamine Gold
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Gibson J-45 Standard
- Made in United States
- Expensive Wood
- Ivory Tusq Nut
- Top Brand Pickups
- Electronics
- Ivory Tusq Saddle
- Solid Top Wood
- Solid Side Wood
- Solid Back Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Takamine P6JC
- Made in Japan
- Expensive Wood
- Bone Nut
- Top Brand Pickups
- Electronics
- Bone Saddle
- Solid Top Wood
- Solid Back Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Laminated Side Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the Gibson J-45 Standard has the wider nut with 43.8mm (1.725'') vs 42.5mm (1.673''). This is a 1.3mm (0.052'') difference
This means that it will be more difficult to do bar chords on the Gibson J-45 Standard, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
The Takamine P6JC has the longest scale: 25.4". The Gibson J-45 Standard is only 24.75" long. This is a 0.65'' (16.5mm) scale length difference.
This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.
This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.
Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Gibson J-45 Standard has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
The Takamine P6JC, on the other hand, has a Asymmetrical neck. Even though this neck shape looks like a poorly-made job, it's, in fact, the neck that most naturally adapts to the arc of your hand when grabbing a guitar neck. You'll notice that the lower part of your palm makes a more pronounced, deeper curve while the upper part makes a more subtle arch. This is the shape that adapts the best to that natural arch your hand makes while playing.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
Both the Gibson J-45 Standard and the Takamine P6JC have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Gibson J-45 Standard favors large hands more than the Takamine P6JC. But it's still more comfortable for people with small hands, as you can see in the score meter below.
Gibson J-45 Standard:
Takamine P6JC:
Fret Size
Both have a Medium fret size. If you like feeling the fretboard when you play, but also appreciate some easiness to press down the frets, this size offers a good balance for that.
