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Gibson Custom 1968 Les Paul Custom Reissue
Gibson Slash Victoria Les Paul Standard Goldtop
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Playability
73
Sound
72
Build
72
Value
57
Score
72
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Playability
73
Sound
72
Build
70
Value
57
Score
72
FIND IT ON:
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Gibson Custom 1968 Les Paul Custom Reissue vs Gibson Slash Victoria Les Paul Standard Goldtop

Reasons to Get
Gibson Custom 1968 Les Paul Custom Reissue over Gibson Slash Victoria Les Paul Standard Goldtop

Release Year
2022 vs 2020
From a more recent year
Neck Profile
Traditional 1960s SlimTaper C Profile vs 50s Vintage
Comfortable neck that works for most people
Nut Width
1.688'' (42.9mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Paint Finish
Nitro vs Poly
Thin finish that creates aging marks faster

Reasons to Get
Gibson Slash Victoria Les Paul Standard Goldtop over Gibson Custom 1968 Les Paul Custom Reissue

Decorative Top
Maple vs None
Finished with beautiful natural wood patterns
Neck Profile
50s Vintage vs Traditional 1960s SlimTaper C Profile
Great if you like to hang your thumb over the fretboard
Nut Width
1.693'' (43mm) vs 1.688'' (42.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Paint Finish
Poly vs Nitro
Resistant paint that ages well

Other Key Differences
Gibson Custom 1968 Les Paul Custom Reissue vs Gibson Slash Victoria Les Paul Standard Goldtop

Bridge Pickup
68 Custom Humbucker vs Gibson Custom BurstBucker Alnico 2 (Double Black exposed coils)
Different Bridge Pickup
Neck Pickup
68 Custom Humbucker vs Gibson Custom BurstBucker Alnico 2 (Double Black exposed coils)
Different Neck Pickup
Fretboard Wood
Ebony vs Rosewood
Different Fretboard Wood
Nut Material
Nylon vs Ivory Tusq
Different Nut Material

Shared Features
Gibson Custom 1968 Les Paul Custom Reissue vs Gibson Slash Victoria Les Paul Standard Goldtop

Body Wood
Mahogany
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Volume Knobs
2
Same volume control
Tone Knobs
2
Same tone control
Pickups
HH
High output without hum
Number of Frets
22
Same maximum octave
Bridge
Fixed
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm)
Same string tension and fret separation
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Joint
Set
Neck is glued to the body
Type of Frets
Medium Jumbo
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Neck-Through Build
  • Pickup Alter Switch/Knob
  • Weight Relief
  • Locking Tuners
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Gibson Custom 1968 Les Paul Custom Reissue Prices

SET PRICE ALERT

Gibson Slash Victoria Les Paul Standard Goldtop Prices

SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that both instruments scored 72 out of 100, which makes them similar in terms of quality.

The Gibson Slash Victoria Les Paul Standard Goldtop wins when it comes to. On the other hand, the Gibson Custom 1968 Les Paul Custom Reissue has the upper hand when it comes to build quality.

If you got small hands, you'll probably feel that the Gibson Custom 1968 Les Paul Custom Reissue is easier to play.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Gibson Custom 1968 Les Paul Custom Reissue is the better choice.

The Gibson Custom 1968 Les Paul Custom Reissue meets 4 out of our 8 criteria items for beginner friendliness, while the Gibson Slash Victoria Les Paul Standard Goldtop meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Gibson Custom 1968 Les Paul Custom Reissue
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Gibson Slash Victoria Les Paul Standard Goldtop
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Comfortable neck
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Gibson Custom 1968 Les Paul Custom Reissue Overview

  • From Gibson Custom's 2022 Historic Collection series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • 1-Piece Mahogany body
  • Mahogany neck
  • Ebony fretboard
  • Bridge pickup: 68 Custom Humbucker (Humbucker/Passive)
  • Neck pickup: 68 Custom Humbucker (Humbucker/Passive)
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • ABR-1 (Wired) bridge
  • Traditional 1960s SlimTaper C Profile Set neck
  • 22 Medium Jumbo frets
  • Kluson Waffleback tuners
  • Compare Specs >

Gibson Slash Victoria Les Paul Standard Goldtop Overview

  • From Gibson's 2020 Artist Collection series
  • Slash Signature
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Maple top
  • Mahogany body
  • Mahogany neck
  • Rosewood with Cream binding fretboard
  • Bridge pickup: Gibson Custom BurstBucker Alnico 2 (Double Black exposed coils) (Humbucker/Passive)
  • Neck pickup: Gibson Custom BurstBucker Alnico 2 (Double Black exposed coils) (Humbucker/Passive)
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • ABR-1 Tune-O-Matic bridge
  • 50s Vintage Set neck
  • 22 Medium Jumbo frets
  • Vintage Keystone tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the Gibson Custom 1968 Les Paul Custom Reissue

Ebony wood pattern used for guitar building
Ebony

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Woods Used in the Gibson Slash Victoria Les Paul Standard Goldtop

Rosewood wood pattern used for guitar building
Rosewood

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Tie.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

They both share the following switching options:

Gibson Custom 1968 Les Paul Custom Reissue and Gibson Slash Victoria Les Paul Standard Goldtop pickups switch and push knobs diagram
Gibson Custom 1968 Les Paul Custom Reissue and Gibson Slash Victoria Les Paul Standard Goldtop's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Tie.

Final Sound Quality Scores

Gibson Custom 1968 Les Paul Custom Reissue
Pickups 90
Sustain 75
Versatility 53
Tuning Stability 70
Sound 72
Gibson Slash Victoria Les Paul Standard Goldtop
Pickups 90
Sustain 75
Versatility 53
Tuning Stability 70
Sound 72

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1968 Les Paul Custom Reissue compares to the Gibson Slash Victoria Les Paul Standard Goldtop.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in United States.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Gibson Custom 1968 Les Paul Custom Reissue has a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

On the other hand, the Gibson Slash Victoria Les Paul Standard Goldtop comes with a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

Both come with regular tuners. The Gibson Custom 1968 Les Paul Custom Reissue's are Kluson Waffleback while the Gibson Slash Victoria Les Paul Standard Goldtop's are Vintage Keystone

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Custom 1968 Les Paul Custom Reissue
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Gibson Slash Victoria Les Paul Standard Goldtop
  • Made in United States
  • Expensive Wood
  • Ivory Tusq Nut
  • Top Brand Pickups
  • Strap Lock
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio

Final Build Quality Scores

Gibson Custom 1968 Les Paul Custom Reissue
Quality of materials 66
Features 50
Quality Control 100
Build Quality 72
Gibson Slash Victoria Les Paul Standard Goldtop
Quality of materials 55
Features 55
Quality Control 100
Build Quality 70

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Custom 1968 Les Paul Custom Reissue Nut Width
Gibson Custom 1968 Les Paul Custom Reissue Nut Width
Gibson Slash Victoria Les Paul Standard Goldtop Nut Width
Gibson Slash Victoria Les Paul Standard Goldtop Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Gibson Slash Victoria Les Paul Standard Goldtop has the wider nut with 43mm (1.693'') vs 42.9mm (1.688''). This is a 0.1mm (0.0050000000000001'') difference

This means that it will be more difficult to do bar chords on the Gibson Slash Victoria Les Paul Standard Goldtop, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Gibson Custom 1968 Les Paul Custom Reissue and Gibson Slash Victoria Les Paul Standard Goldtop's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 24.75".

This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.

On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Custom 1968 Les Paul Custom Reissue Neck Profile
Gibson Custom 1968 Les Paul Custom Reissue's neck profile
Gibson Slash Victoria Les Paul Standard Goldtop Neck Profile
Gibson Slash Victoria Les Paul Standard Goldtop's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Gibson Custom 1968 Les Paul Custom Reissue has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Gibson Slash Victoria Les Paul Standard Goldtop, on the other hand, has a V neck. This neck shape was more common during Fender's early years. Some people like it because they use their thumb over the edge of the fretboard to press the lower strings. It's rather thicker than most modern necks, so it's not usually used for playing fast solos.

Fretboard Radius

Gibson Custom 1968 Les Paul Custom Reissue Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Gibson Custom 1968 Les Paul Custom Reissue and the Gibson Slash Victoria Les Paul Standard Goldtop have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Gibson Slash Victoria Les Paul Standard Goldtop favors large hands more than the Gibson Custom 1968 Les Paul Custom Reissue.

Gibson Custom 1968 Les Paul Custom Reissue:
Big Hands
Small Hands
Gibson Slash Victoria Les Paul Standard Goldtop:
Big Hands
Small Hands

Fret Size

Gibson Custom 1968 Les Paul Custom Reissue and Gibson Slash Victoria Les Paul Standard Goldtop Frets Size
Both have a similar Medium Jumbo fret size

Both have a Medium Jumbo fret size. These are slightly shorter than full Jumbo frets, so you'll still feel the fretboard when pressing down the strings. However, they interfere less with your fretting hand than medium-size frets. This is a good size if you like easy-to-press frets, but would still like to feel a bit of the fretboard when playing.

Final Playability Scores

Gibson Custom 1968 Les Paul Custom Reissue
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73
Gibson Slash Victoria Les Paul Standard Goldtop
Bending & Vibrato Ease 85
Chord Playability 75
Solo Playability 60
Playability 73

Specs Side-by-Side

Gibson Custom 1968 Les Paul Custom Reissue vs Gibson Slash Victoria Les Paul Standard Goldtop
General Gibson Custom 1968 Les Paul Custom Reissue Gibson Slash Victoria Les Paul Standard Goldtop
Brand: Gibson Custom Gibson
Year: 2022 2020
Configuration: HH HH
Strings: 6 6
Made in: United States United States
Series: Historic Collection Artist Collection
Colors: Black Gold
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: 1-Piece Mahogany Mahogany
Bridge: ABR-1 (Wired) ABR-1 Tune-O-Matic
Neck
Neck Joint: Set Set
Tuners: Kluson Waffleback Vintage Keystone
Fretboard: Ebony Rosewood with Cream binding
Neck Material: Mahogany Mahogany
Decoration: Mother of Pearl Block Acrylic Trapezoid
Scale Size: 24.75" 24.75"
Shape: Traditional 1960s SlimTaper C Profile 50s Vintage
Frets: 22 Medium Jumbo Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Nylon Ivory Tusq
Nut Width: 42.9mm (1.688'') 43mm (1.693'')
Electronics
Bridge Pickup: 68 Custom Humbucker (Humbucker / Passive) Gibson Custom BurstBucker Alnico 2 (Double Black exposed coils) (Humbucker / Passive)
Middle Pickup:
Neck Pickup: 68 Custom Humbucker (Humbucker / Passive) Gibson Custom BurstBucker Alnico 2 (Double Black exposed coils) (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Bell Bell
Pickup Mods: None None
Volume Controls: 2 2
Tone Controls: 2 2