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Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola
Gretsch G6199 Billy-Bo
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Playability
72
Sound
72
Build
70
Value
56
Score
71
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Playability
77
Sound
72
Build
72
Value
59
Score
74
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Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola vs Gretsch G6199 Billy-Bo

Reasons to Get
Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola over Gretsch G6199 Billy-Bo

Release Year
2022 vs 2019
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Neck Profile
Traditional 1960s SlimTaper C Profile vs Standard U
Comfortable neck that works for most people
Tone Knobs
2 vs 1
More tone control
Paint Finish
Nitro vs Poly
Thin finish that creates aging marks faster
Bridge
Tremolo vs Fixed
Simple vibratos without too much maintenance
Scale Length
24.75'' (628.7mm) vs 24.6'' (624.8mm)
Lower action and brighter natural tone

Reasons to Get
Gretsch G6199 Billy-Bo over Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola

Neck Profile
Standard U vs Traditional 1960s SlimTaper C Profile
Comfortable neck with more grip
Paint Finish
Poly vs Nitro
Resistant paint that ages well
Bridge
Fixed vs Tremolo
Good sustain and needs no set-up
Scale Length
24.6'' (624.8mm) vs 24.75'' (628.7mm)
Easier bending, shorter fret separation and warmer natural tone
Value Score
59 vs 56
Better price/quality relationship

Other Key Differences
Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola vs Gretsch G6199 Billy-Bo

Bridge Pickup
Firebird Alnico V vs Gretsch TV Jones Power'Tron Plus
Different Bridge Pickup
Neck Pickup
Firebird Alnico V vs Gretsch TV Jones Power'Tron
Different Neck Pickup
Body Wood
Mahogany vs Maple
Different Body Wood
Headstock
6 vs 3-3
Different Headstock
Nut Material
Nylon vs Synthetic Bone
Different Nut Material

Shared Features
Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola vs Gretsch G6199 Billy-Bo

Neck Wood
Mahogany
Same Neck Wood
Fretboard Wood
Rosewood
Same Fretboard Wood
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Volume Knobs
2
Same volume control
Pickups
HH
High output without hum
Number of Frets
22
Same maximum octave
Nut Width
1.688'' (42.9mm)
Same string separation at the nut
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Joint
Set
Neck is glued to the body
Type of Frets
Medium Jumbo vs Vintage
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Neck-Through Build
  • Pickup Alter Switch/Knob
  • Weight Relief
  • Locking Tuners
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola Prices

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Gretsch G6199 Billy-Bo Prices

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Gretsch G6199 Billy-Bo is probably the better product overall with its final score of 74 compared to the Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola's 71 score, although not by a lot.

The Gretsch G6199 Billy-Bo wins when it comes to playability, build quality, value for the money. On the other hand, the Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola has the upper hand when it comes to.

If you got small hands, you'll probably feel that the Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola is easier to play.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola is the better choice.

The Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola meets 4 out of our 8 criteria items for beginner friendliness, while the Gretsch G6199 Billy-Bo meets only 2. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Gretsch G6199 Billy-Bo
  • Easy-to-use bridge
  • Short scale
  • Comfortable shape
  • Comfortable fretboard
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola Overview

  • From Gibson Custom's 2022 Historic Collection series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Solid Mahogany body
  • Mahogany neck
  • Indian Rosewood fretboard
  • Bridge pickup: Firebird Alnico V (Humbucker/Passive)
  • Neck pickup: Firebird Alnico V (Humbucker/Passive)
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • ABR-1 Maestro Short Vibrola bridge
  • Traditional 1960s SlimTaper C Profile Set neck
  • 22 Medium Jumbo frets
  • Vintage Closed Gear tuners
  • Weight around 8.6lbs (3.9kgs)
  • Compare Specs >

Gretsch G6199 Billy-Bo Overview

  • From Gretsch's 2019 Professional Collection series
  • Made in Japan
  • 6 strings
  • 24.6"'' scale
  • 12" Fretboard Radius
  • Laminated Maple body
  • Mahogany neck
  • Rosewood fretboard
  • Bridge pickup: Gretsch TV Jones Power'Tron Plus (Humbucker/Passive)
  • Neck pickup: Gretsch TV Jones Power'Tron (Humbucker/Passive)
  • 2 volume and 1 tone Dome knobs
  • 3-way Switch
  • Gretsch G-Cutout Tailpiece bridge
  • Standard U Set neck
  • 22 Vintage frets
  • Grover Sta-Tite Die-Cast tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Gretsch G6199 Billy-Bo

Maple wood pattern used for guitar building
Maple

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Winner: Tie.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

They both share the following switching options:

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola and Gretsch G6199 Billy-Bo pickups switch and push knobs diagram
Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola and Gretsch G6199 Billy-Bo's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola.

Final Sound Quality Scores

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola
Pickups 90
Sustain 70
Versatility 63
Tuning Stability 65
Sound 72
Gretsch G6199 Billy-Bo
Pickups 90
Sustain 75
Versatility 51
Tuning Stability 70
Sound 72

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola compares to the Gretsch G6199 Billy-Bo.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola is built in United States while the Gretsch G6199 Billy-Bo is made in Japan.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola has a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

On the other hand, the Gretsch G6199 Billy-Bo comes with a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola's brige is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

On the other hand, the Gretsch G6199 Billy-Bo's is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

Both come with regular tuners. The Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola's are Vintage Closed Gear while the Gretsch G6199 Billy-Bo's are Grover Sta-Tite Die-Cast

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Tremolo
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Gretsch G6199 Billy-Bo
  • Made in Japan
  • Expensive Wood
  • Synthetic Bone Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola
Quality of materials 56
Features 55
Quality Control 100
Build Quality 70
Gretsch G6199 Billy-Bo
Quality of materials 66
Features 50
Quality Control 100
Build Quality 72

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola Nut Width
Both Guitars Have The Same Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 42.9mm (1.688'').

This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.

Scale Length

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola's Scale Length
Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola's Scale Length
Gretsch G6199 Billy-Bo's Scale Length
Gretsch G6199 Billy-Bo's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola has the longest scale: 24.75". The Gretsch G6199 Billy-Bo is only 24.6" long. This is a 0.15'' (3.8mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola Neck Profile
Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola's neck profile
Gretsch G6199 Billy-Bo Neck Profile
Gretsch G6199 Billy-Bo's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

The Gretsch G6199 Billy-Bo, on the other hand, has a U neck. This is also referred to as ''baseball neck'' because of its shape. It's usually thick, which is why some people with big hands like it. However, they can also be thin, similar to a C shape, but with more shoulders for a better grip.

Fretboard Radius

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola and the Gretsch G6199 Billy-Bo have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Gretsch G6199 Billy-Bo favors large hands more than the Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola.

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola:
Big Hands
Small Hands
Gretsch G6199 Billy-Bo:
Big Hands
Small Hands

Fret Size

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola Frets Size
Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola's Frets Size
Gretsch G6199 Billy-Bo Frets Size
Gretsch G6199 Billy-Bo's Frets Size

The Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola has Medium Jumbo frets, which should be taller than the Gretsch G6199 Billy-Bo's Vintage frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola
Bending & Vibrato Ease 80
Chord Playability 65
Solo Playability 70
Playability 72
Gretsch G6199 Billy-Bo
Bending & Vibrato Ease 90
Chord Playability 80
Solo Playability 60
Playability 77

Specs Side-by-Side

Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola vs Gretsch G6199 Billy-Bo
General Gibson Custom 1965 Non-Reverse Firebird V w/ Vibrola Gretsch G6199 Billy-Bo
Brand: Gibson Custom Gretsch
Year: 2022 2019
Configuration: HH HH
Strings: 6 6
Made in: United States Japan
Series: Historic Collection Professional Collection
Colors: Sunburst Red
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Solid Mahogany Laminated Maple
Bridge: ABR-1 Maestro Short Vibrola Gretsch G-Cutout Tailpiece
Neck
Neck Joint: Set Set
Tuners: Vintage Closed Gear Grover Sta-Tite Die-Cast
Fretboard: Indian Rosewood Rosewood
Neck Material: Mahogany Mahogany
Decoration: Pearloid Dot Pearloid Neo-Classic Thumbnail
Scale Size: 24.75" 24.6"
Shape: Traditional 1960s SlimTaper C Profile Standard U
Frets: 22 Medium Jumbo Nickel Silver 22 Vintage Nickel Silver
Fretboard Radius: 12" 12"
Nut: Nylon Synthetic Bone
Nut Width: 42.9mm (1.688'') 42.9mm (1.688'')
Electronics
Bridge Pickup: Firebird Alnico V (Humbucker / Passive) Gretsch TV Jones Power'Tron Plus (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Firebird Alnico V (Humbucker / Passive) Gretsch TV Jones Power'Tron (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Bell Dome
Pickup Mods: None None
Volume Controls: 2 2
Tone Controls: 2 1