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Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar
Gibson Brian Ray 62 SG Junior
VS
Playability
73
Sound
72
Build
72
Value
57
Score
72
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Playability
75
Sound
74
Build
72
Value
59
Score
74
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Side to side spec comparison >

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar vs Gibson Brian Ray 62 SG Junior

Reasons to Get
Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar over Gibson Brian Ray 62 SG Junior

Release Year
2022 vs 2019
From a more recent year
Type of Frets
Medium Jumbo vs Jumbo
You'll feel the fretboard when pressing down the strings
Switch Positions
3 vs 0
More tone options
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Pickups
HH vs H
High output without hum
Neck Thickness at 1st Fret
0.82'' (20.8mm) vs 0.83'' (21.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.93'' (23.6mm) vs 0.94'' (23.9mm)
More comfortable at higher frets for small hands
Nut Width
1.688'' (42.9mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Paint Finish
Nitro vs Poly
Thin finish that creates aging marks faster
Bridge
Fixed vs Tremolo
Good sustain and needs no set-up

Reasons to Get
Gibson Brian Ray 62 SG Junior over Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar

Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Pickup Mods
Multi-Voicing vs None
Changes the voice (tones or gain) of the pickups
Pickups
H vs HH
Hum-free with more right hand freedom and sustain
Neck Thickness at 1st Fret
0.83'' (21.1mm) vs 0.82'' (20.8mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.94'' (23.9mm) vs 0.93'' (23.6mm)
More comfortable at higher frets for big hands
Nut Width
1.693'' (43mm) vs 1.688'' (42.9mm)
Less likely to mute strings by accident and more space for fingerstyle
Paint Finish
Poly vs Nitro
Resistant paint that ages well
Bridge
Tremolo vs Fixed
Simple vibratos without too much maintenance
Value Score
59 vs 57
Better price/quality relationship

Other Key Differences
Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar vs Gibson Brian Ray 62 SG Junior

Bridge Pickup
Custombucker Alnico III (Unpotted) vs Gibson Custom Dog-Ear P90 w/ Switchable Induction Coil Circuit
Different Bridge Pickup

Shared Features
Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar vs Gibson Brian Ray 62 SG Junior

Body Wood
Mahogany
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Fretboard Wood
Rosewood
Same Fretboard Wood
Headstock
3-3
Same Headstock
Nut Material
Nylon
Same Nut Material
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Number of Frets
22
Same maximum octave
Scale Length
24.75'' (628.7mm)
Same string tension and fret separation
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Profile Type
D
Thin and flat neck for playing fast
Neck Joint
Set
Neck is glued to the body

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Neck-Through Build
  • Weight Relief
  • Locking Tuners
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

SET PRICE ALERT

Gibson Brian Ray 62 SG Junior Prices

SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Gibson Brian Ray 62 SG Junior is probably the better product overall with its final score of 74 compared to the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar's 72 score, although not by a lot.

The Gibson Brian Ray 62 SG Junior wins when it comes to sound, playability, value for the money. On the other hand, the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar has the upper hand when it comes to.

If you got small hands, you'll probably feel that the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar is easier to play.

Which One is Better for Beginners?

Both meet 4 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Gibson Brian Ray 62 SG Junior
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar Overview

  • From Gibson Custom's 2022 Historic Collection series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Solid Mahogany body
  • Mahogany neck
  • Indian Rosewood fretboard
  • Bridge pickup: Custombucker Alnico III (Unpotted) (Humbucker/Passive)
  • Neck pickup: Custombucker Alnico III (Unpotted) (Humbucker/Passive)
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • ABR-1 bridge
  • 60s SlimTaper Set neck
  • 22 Medium Jumbo frets
  • Kluson Single Line, Double Ring tuners
  • Compare Specs >

Gibson Brian Ray 62 SG Junior Overview

  • From Gibson's 2019 Artist Collection series
  • Brian Ray Signature
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Solid Mahogany body
  • Solid Mahogany, Long Tenon, Hide Glue Fit neck
  • Indian Rosewood fretboard
  • Bridge pickup: Gibson Custom Dog-Ear P90 w/ Switchable Induction Coil Circuit (Humbucker/Passive)
  • 1 volume and 1 tone Bell knobs
  • ABR-1 with convertible options bridge
  • Custom 1962 Slim Taper Set neck
  • 22 Jumbo frets
  • Vintage tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Rosewood wood pattern used for guitar building
Rosewood

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Tie.

Pickup Configuration

The Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar has an HH configuration while the Gibson Brian Ray 62 SG Junior has H pickups.

Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

On the other hand, A single H pickup gives you the advantage of having a little longer sustain (all other things being equal) because there will be less magnetic fields from other pickups affecting the strings' vibration. However, they also give you the least versatility because you won't have other pickups at different distances from the bridge to create different tones. A single humbucking pickup is used for noiseless high output, which is used mainly for Hard Rock genres.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar gives you 3 switch options while the Gibson Brian Ray 62 SG Junior gives you 0. This means that the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar gives you more options to find the right pickup combination for the type of sound you want to achieve

Only the Gibson Brian Ray 62 SG Junior comes with some kind of pickup modification: Multi-Voicing.

Multi-Voicing means the pickups come with multiple ''voices'', which means they can change the tone and gain by a simple switch or knob. Piezo, Fishman and similar are considered multi-voicing pickups.

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar pickups switch and push knobs diagram
Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar's switch options
Gibson Brian Ray 62 SG Junior pickups switch and push knobs diagram
Gibson Brian Ray 62 SG Junior's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Gibson Brian Ray 62 SG Junior.

Final Sound Quality Scores

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar
Pickups 90
Sustain 75
Versatility 53
Tuning Stability 70
Sound 72
Gibson Brian Ray 62 SG Junior
Pickups 90
Sustain 80
Versatility 59
Tuning Stability 65
Sound 74

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar compares to the Gibson Brian Ray 62 SG Junior.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in United States.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

In this case, both have Nylon nuts. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

The Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

On the other hand, the Gibson Brian Ray 62 SG Junior's is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

Both come with regular tuners. The Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar's are Kluson Single Line, Double Ring while the Gibson Brian Ray 62 SG Junior's are Vintage

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Gibson Brian Ray 62 SG Junior
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Multi-Voicing Pickups
  • Tremolo
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar
Quality of materials 66
Features 50
Quality Control 100
Build Quality 72
Gibson Brian Ray 62 SG Junior
Quality of materials 56
Features 60
Quality Control 100
Build Quality 72

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar Nut Width
Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar Nut Width
Gibson Brian Ray 62 SG Junior Nut Width
Gibson Brian Ray 62 SG Junior Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Gibson Brian Ray 62 SG Junior has the wider nut with 43mm (1.693'') vs 42.9mm (1.688''). This is a 0.1mm (0.0050000000000001'') difference

This means that it will be more difficult to do bar chords on the Gibson Brian Ray 62 SG Junior, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar and Gibson Brian Ray 62 SG Junior's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 24.75".

This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.

On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar Neck Profile
Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar's neck profile
Gibson Brian Ray 62 SG Junior Neck Profile
Gibson Brian Ray 62 SG Junior's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar and the Gibson Brian Ray 62 SG Junior have a D-shaped neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

Fretboard Radius

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar and the Gibson Brian Ray 62 SG Junior have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Gibson Brian Ray 62 SG Junior favors large hands more than the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar.

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar:
Big Hands
Small Hands
Gibson Brian Ray 62 SG Junior:
Big Hands
Small Hands

Fret Size

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar Frets Size
Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar's Frets Size
Gibson Brian Ray 62 SG Junior Frets Size
Gibson Brian Ray 62 SG Junior's Frets Size

The Gibson Brian Ray 62 SG Junior has Jumbo frets, which should be taller than the Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar's Medium Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar
Bending & Vibrato Ease 85
Chord Playability 65
Solo Playability 70
Playability 73
Gibson Brian Ray 62 SG Junior
Bending & Vibrato Ease 90
Chord Playability 55
Solo Playability 80
Playability 75

Specs Side-by-Side

Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar vs Gibson Brian Ray 62 SG Junior
General Gibson Custom 1961 Les Paul SG Standard Reissue Stop Bar Gibson Brian Ray 62 SG Junior
Brand: Gibson Custom Gibson
Year: 2022 2019
Configuration: HH H
Strings: 6 6
Made in: United States United States
Series: Historic Collection Artist Collection
Colors: Red White
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Solid Mahogany Solid Mahogany
Bridge: ABR-1 ABR-1 with convertible options
Neck
Neck Joint: Set Set
Tuners: Kluson Single Line, Double Ring Vintage
Fretboard: Indian Rosewood Indian Rosewood
Neck Material: Mahogany Solid Mahogany, Long Tenon, Hide Glue Fit
Decoration: Cellulose Nitrate Trapezoid Custom Celluloid Trapezoid
Scale Size: 24.75" 24.75"
Shape: 60s SlimTaper Custom 1962 Slim Taper
Thickness: 1st Fret: 0.82'' (20.8mm) - 12th Fret: 0.93'' (23.6mm) 1st Fret: 0.83'' (21.1mm) - 12th Fret: 0.94'' (23.9mm)
Frets: 22 Medium Jumbo Nickel Silver 22 Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Nylon Nylon
Nut Width: 42.9mm (1.688'') 43mm (1.693'')
Electronics
Bridge Pickup: Custombucker Alnico III (Unpotted) (Humbucker / Passive) Gibson Custom Dog-Ear P90 w/ Switchable Induction Coil Circuit (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Custombucker Alnico III (Unpotted) (Humbucker / Passive)
Switch: 3 Way 0 Way
Knobs: Bell Bell
Pickup Mods: None Multi-Voicing
Volume Controls: 2 1
Tone Controls: 2 1