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Gibson Custom 1958 Korina Explorer Reissue
Jackson Pro Series Signature Marty Friedman MF-1
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Playability
73
Sound
72
Build
72
Value
57
Score
72
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Playability
77
Sound
75
Build
57
Value
70
Score
70
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Gibson Custom 1958 Korina Explorer Reissue vs Jackson Pro Series Signature Marty Friedman MF-1

Reasons to Get
Gibson Custom 1958 Korina Explorer Reissue over Jackson Pro Series Signature Marty Friedman MF-1

Country of Manufacturing
United States vs China
Built with higher quality standards
Release Year
2022 vs 2021
From a more recent year
Type of Frets
Medium vs Jumbo
You'll feel the fretboard when pressing down the strings
Neck Profile
Vintage 50s vs Speed
Thick neck that gives you a better grip
Nut Material
Nylon vs Plastic
Resistant nut with good tuning stability
Paint Finish
Nitro vs Poly
Thin finish that creates aging marks faster

Reasons to Get
Jackson Pro Series Signature Marty Friedman MF-1 over Gibson Custom 1958 Korina Explorer Reissue

Decorative Top
Cracked Mirror vs None
Finished with beautiful natural wood patterns
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium
You won't feel the fretboard when pressing down the strings
Neck Profile
Speed vs Vintage 50s
Thin and flat neck for playing fast
Tone Knobs
2 vs 1
More tone control
Locking Tuners
Yes vs None
Easier to change strings
Paint Finish
Poly vs Nitro
Resistant paint that ages well
Value Score
70 vs 57
Better price/quality relationship

Other Key Differences
Gibson Custom 1958 Korina Explorer Reissue vs Jackson Pro Series Signature Marty Friedman MF-1

Bridge Pickup
Custombucker vs EMG MF Signature
Different Bridge Pickup
Neck Pickup
Custombucker vs EMG MF Signature
Different Neck Pickup
Body Wood
Limba vs Mahogany
Different Body Wood
Neck Wood
Limba vs Mahogany
Different Neck Wood
Fretboard Wood
Rosewood vs Ebony
Different Fretboard Wood
Headstock
6 vs 3-3
Different Headstock
Nut Material
Nylon vs Plastic
Different Nut Material

Shared Features
Gibson Custom 1958 Korina Explorer Reissue vs Jackson Pro Series Signature Marty Friedman MF-1

Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Volume Knobs
2
Same volume control
Pickups
HH
High output without hum
Number of Frets
22
Same maximum octave
Nut Width
1.688'' (42.9mm)
Same string separation at the nut
Bridge
Fixed
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm)
Same string tension and fret separation
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Joint
Set
Neck is glued to the body

Common Strengths

  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Neck-Through Build
  • Pickup Alter Switch/Knob
  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Gibson Custom 1958 Korina Explorer Reissue is probably the better product overall with its final score of 72 compared to the Jackson Pro Series Signature Marty Friedman MF-1's 70 score, although not by a lot.

The Gibson Custom 1958 Korina Explorer Reissue wins when it comes to build quality. On the other hand, the Jackson Pro Series Signature Marty Friedman MF-1 has the upper hand when it comes to sound, playability, value for the money.

If you got small hands, you'll probably feel that the Jackson Pro Series Signature Marty Friedman MF-1 is easier to play.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Jackson Pro Series Signature Marty Friedman MF-1 is the better choice.

The Jackson Pro Series Signature Marty Friedman MF-1 meets 5 out of our 8 criteria items for beginner friendliness, while the Gibson Custom 1958 Korina Explorer Reissue meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Gibson Custom 1958 Korina Explorer Reissue
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Jackson Pro Series Signature Marty Friedman MF-1
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Gibson Custom 1958 Korina Explorer Reissue Overview

  • From Gibson Custom's 2022 Historic Collection series
  • Made in United States
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Korina body
  • Korina neck
  • Rosewood fretboard
  • Bridge pickup: Custombucker (Humbucker/Passive)
  • Neck pickup: Custombucker (Humbucker/Passive)
  • 2 volume and 1 tone Bell knobs
  • 3-way Switch
  • ABR-1 bridge
  • Vintage 50s Set neck
  • 22 Medium frets
  • Kluson with Celluloid Tips tuners
  • Weight between 8.15lbs (3.7kgs) and 9.3lbs (4.2kgs)
  • Compare Specs >

Jackson Pro Series Signature Marty Friedman MF-1 Overview

  • From Jackson's 2021 Artist Signature series
  • Marty Friedman Signature
  • Made in China
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Cracked Mirror top
  • Mahogany body
  • Mahogany neck
  • Ebony fretboard
  • Bridge pickup: EMG MF Signature (Humbucker/Passive)
  • Neck pickup: EMG MF Signature (Humbucker/Passive)
  • 2 volume and 2 tone Dome knobs
  • 3-way Switch
  • Jackson TOM-Style Adjustable with Anchored Tailpiece bridge
  • Speed Set neck
  • 22 Jumbo frets
  • Jackson Sealed Die-Cast Locking tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in the Gibson Custom 1958 Korina Explorer Reissue

Limba wood pattern used for guitar building
Limba
Rosewood wood pattern used for guitar building
Rosewood

Limba is a relatively rare wood that shows exotic tight dark grain stripes. It comes in white or black. As a tonewood, it is comparable to Mahogany but with richer mids. Find out more about Limba.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Woods Used in the Jackson Pro Series Signature Marty Friedman MF-1

Mahogany wood pattern used for guitar building
Mahogany
Ebony wood pattern used for guitar building
Ebony

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Winner: Tie.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

They both share the following switching options:

Gibson Custom 1958 Korina Explorer Reissue and Jackson Pro Series Signature Marty Friedman MF-1 pickups switch and push knobs diagram
Gibson Custom 1958 Korina Explorer Reissue and Jackson Pro Series Signature Marty Friedman MF-1's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Jackson Pro Series Signature Marty Friedman MF-1.

Final Sound Quality Scores

Gibson Custom 1958 Korina Explorer Reissue
Pickups 90
Sustain 75
Versatility 51
Tuning Stability 70
Sound 72
Jackson Pro Series Signature Marty Friedman MF-1
Pickups 90
Sustain 80
Versatility 53
Tuning Stability 75
Sound 75

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Custom 1958 Korina Explorer Reissue compares to the Jackson Pro Series Signature Marty Friedman MF-1.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Gibson Custom 1958 Korina Explorer Reissue is built in United States while the Jackson Pro Series Signature Marty Friedman MF-1 is made in China.

The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Gibson Custom 1958 Korina Explorer Reissue

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The Gibson Custom 1958 Korina Explorer Reissue has a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time

On the other hand, the Jackson Pro Series Signature Marty Friedman MF-1 comes with a Plastic nut. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

Winner: Gibson Custom 1958 Korina Explorer Reissue.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

The Jackson Pro Series Signature Marty Friedman MF-1 has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Jackson Pro Series Signature Marty Friedman MF-1.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Gibson Custom 1958 Korina Explorer Reissue
  • Made in United States
  • Expensive Wood
  • Nylon Nut
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Jackson Pro Series Signature Marty Friedman MF-1
  • Locking Tuners
  • Expensive Wood
  • Top Brand Pickups
  • Cheap Fret Wire (NS)
  • Made in China
  • No High-Quality Nut
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Gibson Custom 1958 Korina Explorer Reissue
Quality of materials 66
Features 50
Quality Control 100
Build Quality 72
Jackson Pro Series Signature Marty Friedman MF-1
Quality of materials 45
Features 60
Quality Control 65
Build Quality 57

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Gibson Custom 1958 Korina Explorer Reissue Nut Width
Both Guitars Have The Same Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 42.9mm (1.688'').

This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.

Scale Length

Gibson Custom 1958 Korina Explorer Reissue and Jackson Pro Series Signature Marty Friedman MF-1's Scale Length
Both have the same scale length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, both have a scale length of 24.75".

This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.

On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Gibson Custom 1958 Korina Explorer Reissue Neck Profile
Gibson Custom 1958 Korina Explorer Reissue's neck profile
Jackson Pro Series Signature Marty Friedman MF-1 Neck Profile
Jackson Pro Series Signature Marty Friedman MF-1's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Gibson Custom 1958 Korina Explorer Reissue has a Vintage type of neck. This means that it's thicker than most modern necks, and makes it a better fit for playing chords and slow solos. Some people prefer this type of neck because it gives them a better grip thanks to the extra mass. Still, the vast majority prefer a thinner, faster, and more ''modern'' neck.

The Jackson Pro Series Signature Marty Friedman MF-1, on the other hand, has a D neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

Fretboard Radius

Gibson Custom 1958 Korina Explorer Reissue Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Gibson Custom 1958 Korina Explorer Reissue and the Jackson Pro Series Signature Marty Friedman MF-1 have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Gibson Custom 1958 Korina Explorer Reissue favors large hands more than the Jackson Pro Series Signature Marty Friedman MF-1.

Gibson Custom 1958 Korina Explorer Reissue:
Big Hands
Small Hands
Jackson Pro Series Signature Marty Friedman MF-1:
Big Hands
Small Hands

Fret Size

Gibson Custom 1958 Korina Explorer Reissue Frets Size
Gibson Custom 1958 Korina Explorer Reissue's Frets Size
Jackson Pro Series Signature Marty Friedman MF-1 Frets Size
Jackson Pro Series Signature Marty Friedman MF-1's Frets Size

The Jackson Pro Series Signature Marty Friedman MF-1 has Jumbo frets, which should be taller than the Gibson Custom 1958 Korina Explorer Reissue's Medium frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Gibson Custom 1958 Korina Explorer Reissue
Bending & Vibrato Ease 85
Chord Playability 75
Solo Playability 60
Playability 73
Jackson Pro Series Signature Marty Friedman MF-1
Bending & Vibrato Ease 95
Chord Playability 55
Solo Playability 80
Playability 77

Specs Side-by-Side

Gibson Custom 1958 Korina Explorer Reissue vs Jackson Pro Series Signature Marty Friedman MF-1
General Gibson Custom 1958 Korina Explorer Reissue Jackson Pro Series Signature Marty Friedman MF-1
Brand: Gibson Custom Jackson
Year: 2022 2021
Configuration: HH HH
Strings: 6 6
Made in: United States China
Series: Historic Collection Artist Signature
Colors: Natural Purple
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Korina Mahogany
Bridge: ABR-1 Jackson TOM-Style Adjustable with Anchored Tailpiece
Neck
Neck Joint: Set Set
Tuners: Kluson with Celluloid Tips Jackson Sealed Die-Cast Locking
Fretboard: Rosewood Ebony
Neck Material: Korina Mahogany
Decoration: Pearloid Dots White Pearloid Block
Scale Size: 24.75" 24.75"
Shape: Vintage 50s Speed
Frets: 22 Medium Nickel Silver 22 Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Nylon Plastic
Nut Width: 42.9mm (1.688'') 42.9mm (1.688'')
Electronics
Bridge Pickup: Custombucker (Humbucker / Passive) EMG MF Signature (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Custombucker (Humbucker / Passive) EMG MF Signature (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Bell Dome
Pickup Mods: None None
Volume Controls: 2 2
Tone Controls: 1 2