Show Full Spec Comparison
| Gibson Brian Ray 62 SG Junior | 1964 Trini Lopez Standard Ebony Ultra Light Aged | |
|---|---|---|
| General | ||
| Brand: | Gibson | Gibson |
| Year: | 2019 | 2020 |
| Configuration: | H | HH |
| Strings: | 6 | 6 |
| Made in: | United States | United States |
| Series: | Artist Collection | Gibson Murphy Lab Collection |
| Colors: | White | Black |
| Left-Handed Version: | No | No |
| Body | ||
| Type: | Solid Body | Semi-Hollow |
| Body Material: | Solid Mahogany | 3-Ply Maple/Poplar/Maple |
| Bridge: | ABR-1 with convertible options | ABR-1 |
| Neck | ||
| Neck Joint: | Set | Set |
| Tuners: | Vintage | Kluson Single Line Strip with Metal Buttons |
| Fretboard: | Indian Rosewood | Indian Rosewood, Hide Glue Fit |
| Neck Material: | Solid Mahogany, Long Tenon, Hide Glue Fit | Solid Mahogany |
| Decoration: | Custom Celluloid Trapezoid | Split Diamond Cellulose Nitrate |
| Scale Size: | 24.75" | 24.75" |
| Shape: | Custom 1962 Slim Taper | Authentic 64 Medium C-Shape |
| Thickness: | 1st Fret: 0.83'' (21.1mm) - 12th Fret: 0.94'' (23.9mm) | 1st Fret: 0.87'' (22.1mm) - 12th Fret: 0.98'' (24.9mm) |
| Frets: | 22 Jumbo Nickel Silver | 22 Medium Jumbo Nickel Silver |
| Fretboard Radius: | 12" | 12" |
| Nut: | Nylon | Nylon |
| Nut Width: | 43mm (1.693'') | 43mm (1.693'') |
| Electronics | ||
| Bridge Pickups: | Gibson Custom Dog-Ear P90 w/ Switchable Induction Coil Circuit (Humbucker / Passive) | Gibson Custombucker Alnico 3 (Unpotted) (Humbucker / Passive) |
| Middle Pickup: | ||
| Neck Pickup: | Gibson Custombucker Alnico 3 (Unpotted) (Humbucker / Passive) | |
| Switch: | 0 Way | 3 Way |
| Knobs: | Bell | Bell |
| Pickup Mods: | Multi-Voicing | None |
| Volume Controls: | 1 | 2 |
| Tone Controls: | 1 | 2 |
| Hardware | ||
| Strap Lock: | No | No |
| Hardware Color: | Chrome | Nickel |
Show Diagrams Comparison
Reasons to Get
Gibson Brian Ray 62 SG Junior over 1964 Trini Lopez Standard Ebony Ultra Light Aged
Reasons to Get
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged over Brian Ray 62 SG Junior
Other Key Differences
Gibson Brian Ray 62 SG Junior vs 1964 Trini Lopez Standard Ebony Ultra Light Aged
Shared Features
Gibson Brian Ray 62 SG Junior vs 1964 Trini Lopez Standard Ebony Ultra Light Aged
Common Strengths
- High-Quality Nut
- From a High-Quality-Standards Country
- Top Pickup Brand
- Expensive Wood
Common Weaknesses
- Neck-Through Build
- Locking Tuners
- Stays in Tune (Evertune)
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Price History Comparison
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Hand Size Comfortability
After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both are balanced for most hand sizes.
Gibson Brian Ray 62 SG Junior:
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged:
Beginner Friendliness
Both meet 4 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.
New Player Friendliness
Gibson Brian Ray 62 SG Junior- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Locking tuners
New Player Friendliness
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Locking tuners
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in Both
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Woods Used in the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.
Winner: Tie.
Pickup Configuration
The Gibson Brian Ray 62 SG Junior has an H configuration while the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged has HH pickups.
A single H pickup gives you the advantage of having a little longer sustain (all other things being equal) because there will be less magnetic fields from other pickups affecting the strings' vibration. However, they also give you the least versatility because you won't have other pickups at different distances from the bridge to create different tones. A single humbucking pickup is used for noiseless high output, which is used mainly for Hard Rock genres.
On the other hand, Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.
Pickups Quality
Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.
Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.
Winner: Tie.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
The Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged gives you 3 switch options while the Gibson Brian Ray 62 SG Junior gives you 0. This means that the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged gives you more options to find the right pickup combination for the type of sound you want to achieve
Only the Gibson Brian Ray 62 SG Junior comes with some kind of pickup modification: Multi-Voicing.
Multi-Voicing means the pickups come with multiple ''voices'', which means they can change the tone and gain by a simple switch or knob. Piezo, Fishman and similar are considered multi-voicing pickups.
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Gibson Brian Ray 62 SG Junior.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Gibson Brian Ray 62 SG Junior compares to the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in United States.
The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
In this case, both have Nylon nuts. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
The Gibson Brian Ray 62 SG Junior's brige is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.
On the other hand, the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Tie.
Tuners
Both come with regular tuners. The Gibson Brian Ray 62 SG Junior's are Vintage while the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's are Kluson Single Line Strip with Metal Buttons
Winner: Tie.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Gibson Brian Ray 62 SG Junior
- Made in United States
- Expensive Wood
- Nylon Nut
- Top Brand Pickups
- Multi-Voicing Pickups
- Tremolo
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Neck-Through Build
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged
- Made in United States
- Expensive Wood
- Nylon Nut
- Top Brand Pickups
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Luminescent Inlay
- No Tremolo
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 43mm (1.693'').
This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
In this case, both have a scale length of 24.75".
This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.
On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Gibson Brian Ray 62 SG Junior has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.
The Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
Both the Gibson Brian Ray 62 SG Junior and the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.
Fret Size
The Gibson Brian Ray 62 SG Junior has Jumbo frets, which should be taller than the Gibson 1964 Trini Lopez Standard Ebony Ultra Light Aged's Medium Jumbo frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.
