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Fender Squier Contemporary Active Jazzmaster HH ST
Gibson Adam Jones 1979 Les Paul Custom VOS
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Playability
72
Sound
67
Build
54
Value
74
Score
64
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Playability
77
Sound
75
Build
72
Value
60
Score
75
FIND IT ON:
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Squier Contemporary Active Jazzmaster HH ST vs Gibson Adam Jones 1979 Les Paul Custom VOS Specs Comparison
Squier Contemporary Active Jazzmaster HH ST Gibson Adam Jones 1979 Les Paul Custom VOS
General
Brand: Fender Squier Gibson
Year: 2018 2020
Configuration: HH HH
Strings: 6 6
Made in: China United States
Series: Contemporary Custom Shop Collection
Colors: Green, Gray Gray
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Poplar Solid Mahogany
Bridge: 6-Saddle Adjustable Bridge Fixed Tune-O-Matic
Neck
Neck Joint: Bolt-On Set
Tuners: Standard Die-Cast Schaller M6 with Large Buttons
Fretboard: Indian Laurel Ebony, with 1-ply White Binding
Neck Material: Maple 3-piece Maple
Decoration: Cream Dot Mother of Pearl Block
Scale Size: 25.5" 24.75"
Shape: Modern C Adam Jones Medium C
Frets: 21 Narrow Tall Nickel Silver 22 Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Synthetic Bone Bone
Nut Width: 43mm (1.693'') 43mm (1.693'')
Electronics
Bridge Pickups: Squier SQR Active Ceramic Humbucker (Humbucker / Active) Custom-Wound Seymour Duncan DDJ (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Squier SQR Ceramic Humbucker (Humbucker / Active) Gibson Custombucker (Reverse-Mounted) (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Bell Speed
Pickup Mods: None None
Volume Controls: 1 2
Tone Controls: 1 2
Hardware
Strap Lock: No No
Hardware Color: Black & Chrome Chrome
Show Diagrams Comparison
Fender Squier Contemporary Active Jazzmaster HH ST and Gibson Adam Jones 1979 Les Paul Custom VOS pickups switch and push knobs diagram
Fender Squier Contemporary Active Jazzmaster HH ST and Gibson Adam Jones 1979 Les Paul Custom VOS's switch options

Reasons to Get
Squier Contemporary Active Jazzmaster HH ST over Gibson Adam Jones 1979 Les Paul Custom VOS

Number of Frets
21 vs 22
Warmer neck pickup
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Pickups Power
Active vs Passive
More output
Value Score
74 vs 60
Better price/quality relationship

Reasons to Get
Gibson Adam Jones 1979 Les Paul Custom VOS over Fender Squier Contemporary Active Jazzmaster HH ST

Country of Manufacturing
United States vs China
Built with higher quality standards
Decorative Top
3-piece Maple vs None
Finished with beautiful natural wood patterns
Release Year
2020 vs 2018
From a more recent year
Pickups Brand
Seymour Duncan vs None
Pickups from a renown brand
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Number of Frets
22 vs 21
Allows to reach higher notes
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Pickups Power
Passive vs Active
Cleaner sound and no battery needed

Other Key Differences
Squier Contemporary Active Jazzmaster HH ST vs Gibson Adam Jones 1979 Les Paul Custom VOS

Bridge Pickup
Squier SQR Active Ceramic Humbucker vs Custom-Wound Seymour Duncan DDJ
Different Bridge Pickup
Neck Pickup
Squier SQR Ceramic Humbucker vs Gibson Custombucker (Reverse-Mounted)
Different Neck Pickup
Body Wood
Poplar vs Mahogany
Different Body Wood
Fretboard Wood
Laurel vs Ebony
Different Fretboard Wood
Headstock
6 vs 3-3
Different Headstock
Nut Material
Synthetic Bone vs Bone
Different Nut Material

Shared Features
Squier Contemporary Active Jazzmaster HH ST vs Gibson Adam Jones 1979 Les Paul Custom VOS

Neck Wood
Maple
Same Neck Wood
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Pickups
HH
High output without hum
Nut Width
1.693'' (43mm)
Same string separation at the nut
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Narrow Tall vs Jumbo
You won't feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut

Common Weaknesses

  • Pickup Alter Switch/Knob
  • Weight Relief
  • Locking Tuners
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Fender Squier Contemporary Active Jazzmaster HH ST Prices

    SET PRICE ALERT

    Gibson Adam Jones 1979 Les Paul Custom VOS Prices

    SET PRICE ALERT

    These are affiliate links. We may earn a fee if you purchase after clicking. These prices are prone to error. Make sure you're buying the right product after clicking on a link from our site. We are not liable if you buy the wrong product after following these links. As an Amazon Associate site we earn from qualifying purchases.

    Hand Size Comfortability

    After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both favor small hands .

    Fender Squier Contemporary Active Jazzmaster HH ST:
    Big Hands
    Small Hands
    Gibson Adam Jones 1979 Les Paul Custom VOS:
    Big Hands
    Small Hands

    Beginner Friendliness

    Both meet 4 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

    New Player Friendliness

    Fender Squier Contemporary Active Jazzmaster HH ST
    • Comfortable shape
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Locking tuners

    New Player Friendliness

    Gibson Adam Jones 1979 Les Paul Custom VOS
    • Comfortable shape
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Locking tuners

    Sound Quality Comparison

    The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

    Woods Used in Both

    Maple wood pattern used for guitar building
    Maple

    Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

    Woods Used in the Fender Squier Contemporary Active Jazzmaster HH ST

    Laurel wood pattern used for guitar building
    Laurel
    Poplar wood pattern used for guitar building
    Poplar

    There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

    Poplar is a cheaper and heavier alternative to Alder wood. It terms of tone, it emphasizes the low-end and has cutting mids. It's relatively soft compared to most body woods. Find out more about Poplar.

    Woods Used in the Gibson Adam Jones 1979 Les Paul Custom VOS

    Ebony wood pattern used for guitar building
    Ebony
    Mahogany wood pattern used for guitar building
    Mahogany

    Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    Winner: Gibson Adam Jones 1979 Les Paul Custom VOS.

    Pickup Configuration

    Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

    Pickups Quality

    The Gibson Adam Jones 1979 Les Paul Custom VOS pickups from a more specialized brand than the Fender Squier Contemporary Active Jazzmaster HH ST. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.

    The Fender Squier Contemporary Active Jazzmaster HH ST's pickups are Active while the Gibson Adam Jones 1979 Les Paul Custom VOS's are Passive.

    Passive pickups are what most guitars use. These have a normal output that works well for most genres. However, Active pickups are the preferred choice of heavy metal players because they offer extra output thanks to their 9v battery, which results in a heavier, more distorted sound. Bear in mind that achieving a completely clean tone with them won't be easy. So if you want to also use clean tones, you might want to avoid Active pickups.

    Winner: Gibson Adam Jones 1979 Les Paul Custom VOS.

    Versatility Comparison

    Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

    Switch Options

    Both are equal when it comes to the pickup switching option.

    Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.

    When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

    Winner: Gibson Adam Jones 1979 Les Paul Custom VOS.

    Final Sound Quality Scores

    Fender Squier Contemporary Active Jazzmaster HH ST
    Pickups 60
    Sustain 90
    Versatility 49
    Tuning Stability 70
    Sound 67
    Gibson Adam Jones 1979 Les Paul Custom VOS
    Pickups 90
    Sustain 85
    Versatility 53
    Tuning Stability 70
    Sound 75

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Fender Squier Contemporary Active Jazzmaster HH ST compares to the Gibson Adam Jones 1979 Les Paul Custom VOS.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. The Fender Squier Contemporary Active Jazzmaster HH ST is built in China while the Gibson Adam Jones 1979 Les Paul Custom VOS is made in United States.

    China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

    The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

    Winner: Gibson Adam Jones 1979 Les Paul Custom VOS

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    The Fender Squier Contemporary Active Jazzmaster HH ST has a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

    On the other hand, the Gibson Adam Jones 1979 Les Paul Custom VOS comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

    Winner: Tie.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    Unfortunately, none of them come with stainless steel frets.

    Winner: Tie.

    Bridge

    The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

    Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

    Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

    Winner: Tie.

    Tuners

    Both come with regular tuners. The Fender Squier Contemporary Active Jazzmaster HH ST's are Standard Die-Cast while the Gibson Adam Jones 1979 Les Paul Custom VOS's are Schaller M6 with Large Buttons

    Winner: Tie.

    Neck Joint

    Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

    The Fender Squier Contemporary Active Jazzmaster HH ST has a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

    On the other hand, the Gibson Adam Jones 1979 Les Paul Custom VOS comes with Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

    Winner: Fender Squier Contemporary Active Jazzmaster HH ST.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    Fender Squier Contemporary Active Jazzmaster HH ST
    • Synthetic Bone Nut
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Made in China
    • No Expensive Woods
    • No Top Brand Pickups
    • No Neck-Through Build
    • No Push Knob or Extra Switch Option
    • No Weight Relief
    • No Luminescent Inlay
    • No Tremolo
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock
    Strengths & Weaknesses
    Gibson Adam Jones 1979 Les Paul Custom VOS
    • Made in United States
    • Expensive Wood
    • Bone Nut
    • Top Brand Pickups
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • No Neck-Through Build
    • No Push Knob or Extra Switch Option
    • No Weight Relief
    • No Luminescent Inlay
    • No Tremolo
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    Fender Squier Contemporary Active Jazzmaster HH ST
    Quality of materials 56
    Features 50
    Quality Control 55
    Build Quality 54
    Gibson Adam Jones 1979 Les Paul Custom VOS
    Quality of materials 65
    Features 50
    Quality Control 100
    Build Quality 72

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    Fender Squier Contemporary Active Jazzmaster HH ST Nut Width
    Both Guitars Have The Same Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 43mm (1.693'').

    This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.

    Scale Length

    Fender Squier Contemporary Active Jazzmaster HH ST's Scale Length
    Fender Squier Contemporary Active Jazzmaster HH ST's Scale Length
    Gibson Adam Jones 1979 Les Paul Custom VOS's Scale Length
    Gibson Adam Jones 1979 Les Paul Custom VOS's Scale Length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    The Fender Squier Contemporary Active Jazzmaster HH ST has the longest scale: 25.5". The Gibson Adam Jones 1979 Les Paul Custom VOS is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

    This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

    This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

    Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    Fender Squier Contemporary Active Jazzmaster HH ST Neck Profile
    Fender Squier Contemporary Active Jazzmaster HH ST's neck profile
    Gibson Adam Jones 1979 Les Paul Custom VOS Neck Profile
    Gibson Adam Jones 1979 Les Paul Custom VOS's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    Both the Fender Squier Contemporary Active Jazzmaster HH ST and the Gibson Adam Jones 1979 Les Paul Custom VOS have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    Fender Squier Contemporary Active Jazzmaster HH ST Fingerboard Radius
    Both Guitars Have The Same Fretboard Radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    Both the Fender Squier Contemporary Active Jazzmaster HH ST and the Gibson Adam Jones 1979 Les Paul Custom VOS have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

    Fret Size

    Fender Squier Contemporary Active Jazzmaster HH ST and Gibson Adam Jones 1979 Les Paul Custom VOS Frets Size
    Both have a similar Narrow Tall fret size

    Both have a Narrow Tall fret size. Their height is very similar to Jumbo frets, but they have a narrower crown. They won't let you feel the fretboard when playing, which will make it easier to get clean notes. However, if you press down too hard you might get the notes out of pitch.

    Final Playability Scores

    Fender Squier Contemporary Active Jazzmaster HH ST
    Bending & Vibrato Ease 85
    Chord Playability 50
    Solo Playability 80
    Playability 72
    Gibson Adam Jones 1979 Les Paul Custom VOS
    Bending & Vibrato Ease 95
    Chord Playability 55
    Solo Playability 80
    Playability 77