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Fender CD-60SCE Dreadnought 12-String
Yamaha CPX700II-12
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Playability
77
Sound
80
Build
72
Value
86
Score
76
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Playability
80
Sound
81
Build
65
Value
80
Score
75
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Fender CD-60SCE Dreadnought 12-String vs Yamaha CPX700II-12

Reasons to Get
Fender CD-60SCE Dreadnought 12-String over Yamaha CPX700II-12

Country of Manufacturing
Indonesia vs China
Built with higher quality standards
Release Year
2020 vs 2015
From a more recent year
Pickups Brand
Fishman vs None
Pickups from a renown brand
Nut Width
1.77'' (45mm) vs 1.811'' (46mm)
Favors small hands, easier bar chords and other shapes
Body Shape
Dreadnought vs Medium Jumbo
Prominent low-end tones in a large body
Scale Length
25.3'' (642.6mm) vs 25'' (635mm)
Lower action and brighter natural tone
Fretboard Radius
12'' (304.8mm) vs 15.75'' (400.1mm)
More curved fretboard helpful to play chords without muting strings
Value Score
86 vs 80
Better price/quality relationship

Reasons to Get
Yamaha CPX700II-12 over Fender CD-60SCE Dreadnought 12-String

Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Nut Width
1.811'' (46mm) vs 1.77'' (45mm)
Less likely to mute strings by accident and more space for fingerstyle
Body Shape
Medium Jumbo vs Dreadnought
Smaller than a Jumbo guitar but larger than a Thinline
Scale Length
25'' (635mm) vs 25.3'' (642.6mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
15.75'' (400.1mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Fender CD-60SCE Dreadnought 12-String vs Yamaha CPX700II-12

Back Material
Mahogany vs Okoume
Different Back Material
Sides Material
Mahogany vs Okoume
Different Sides Material
Neck Wood
Mahogany vs Nato
Different Neck Wood
Fretboard Wood
Walnut vs Rosewood
Different Fretboard Wood

Shared Features
Fender CD-60SCE Dreadnought 12-String vs Yamaha CPX700II-12

Saddle Material
Plastic
Same Saddle Material
Bridge Material
Rosewood
Same Bridge Material
Body Wood
Spruce
Same Body Wood
Headstock
6-6
Same Headstock
Nut Material
Plastic
Same Nut Material
Strings
12
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Vintage vs Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Expensive Wood

Common Weaknesses

  • Solid Side Wood
  • Solid Back Wood
  • Pickup Alter Switch/Knob
  • Locking Tuners
  • High-Quality Nut
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Fender CD-60SCE Dreadnought 12-String is probably the better product overall with its final score of 76 compared to the Yamaha CPX700II-12's 75 score, although not by a lot.

The Fender CD-60SCE Dreadnought 12-String wins when it comes to build quality, value for the money. On the other hand, the Yamaha CPX700II-12 has the upper hand when it comes to sound, playability.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Yamaha CPX700II-12 is the better choice.

The Yamaha CPX700II-12 meets 5 out of our 8 criteria items for beginner friendliness, while the Fender CD-60SCE Dreadnought 12-String meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Fender CD-60SCE Dreadnought 12-String
  • Easy-to-use bridge
  • Narrow nut
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Tall frets
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Yamaha CPX700II-12
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Fender CD-60SCE Dreadnought 12-String Overview

  • From Fender's 2020 Classic Design series
  • Made in Indonesia
  • 12 strings
  • 25.3"'' scale
  • 12" Fretboard Radius
  • Solid Spruce top
  • Mahogany back
  • Mahogany sides
  • Mahogany neck
  • Walnut fretboard
  • Bridge pickup: Fishman CD-1 Preamp (Preamp/Passive)
  • Rosewood bridge
  • Acoustic Fender 'Easy-to-Play' shape with rolled fretboard edges Set neck
  • 20 Vintage frets
  • Chrome Die-Cast tuners
  • Compare Specs >

Yamaha CPX700II-12 Overview

  • From Yamaha's 2015 CPX series
  • Made in China
  • 12 strings
  • 25"'' scale
  • 15.75" Fretboard Radius
  • Solid Spruce top
  • Nato or Okoume back
  • Nato or Okoume sides
  • Nato neck
  • Rosewood fretboard
  • Bridge pickup: SYSTEM64 + ART 1-Way Pickup (Preamp/Active)
  • Rosewood bridge
  • Acoustic C Set neck
  • 20 Medium frets
  • Die-Cast Chrome (TMW28) tuners
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Spruce wood pattern used for guitar building
Spruce

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Fender CD-60SCE Dreadnought 12-String

Mahogany wood pattern used for guitar building
Mahogany
Walnut wood pattern used for guitar building
Walnut

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

It's a hard wood with a chocolate color that is often used to give an elegant finish. Since it's quite expensive and rare, it's mostly used for guitar tops. Find out more about Walnut.

Woods Used in the Yamaha CPX700II-12

Nato wood pattern used for guitar building
Nato
Rosewood wood pattern used for guitar building
Rosewood
Okoume wood pattern used for guitar building
Okoume

Nato a hard and dense wood similar to Mahogany, but cheaper and not quite as hard. Tone-wise, it's also similar, but it doesn't have quite the same attack as Mahogany.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Okoume is an affordable wood and one of the first to replace Mahogany when the prohibitions started. It's generally softer than Mahogany and the tone has warmer lows.

Winner: Tie.

Electronics

Both come with electronics that allow you connect them to an amplifier or interface for recording.

Winner:Tie.

Final Sound Quality Scores

Fender CD-60SCE Dreadnought 12-String
Sustain 75
Versatility 80
Tuning Stability 65
Sound 80
Yamaha CPX700II-12
Sustain 75
Versatility 85
Tuning Stability 65
Sound 81

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Fender CD-60SCE Dreadnought 12-String compares to the Yamaha CPX700II-12.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Fender CD-60SCE Dreadnought 12-String is built in Indonesia while the Yamaha CPX700II-12 is made in China.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Fender CD-60SCE Dreadnought 12-String

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

In this case, both have Plastic nuts. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Fender CD-60SCE Dreadnought 12-String's are Chrome Die-Cast while the Yamaha CPX700II-12's are Die-Cast Chrome (TMW28)

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Fender CD-60SCE Dreadnought 12-String
  • Expensive Wood
  • Top Brand Pickups
  • Electronics
  • Solid Top Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in Indonesia
  • No High-Quality Nut
  • Low-Quality Material Saddle
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Yamaha CPX700II-12
  • Expensive Wood
  • Electronics
  • Solid Top Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • No Top Brand Pickups
  • Low-Quality Material Saddle
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Fender CD-60SCE Dreadnought 12-String
Quality of materials 66
Features 85
Quality Control 65
Build Quality 72
Yamaha CPX700II-12
Quality of materials 61
Features 75
Quality Control 60
Build Quality 65

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Fender CD-60SCE Dreadnought 12-String Nut Width
Fender CD-60SCE Dreadnought 12-String Nut Width
Yamaha CPX700II-12 Nut Width
Yamaha CPX700II-12 Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha CPX700II-12 has the wider nut with 46mm (1.811'') vs 45mm (1.77''). This is a 1mm (0.041'') difference

This means that it will be more difficult to do bar chords on the Yamaha CPX700II-12, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Fender CD-60SCE Dreadnought 12-String's Scale Length
Fender CD-60SCE Dreadnought 12-String's Scale Length
Yamaha CPX700II-12's Scale Length
Yamaha CPX700II-12's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Fender CD-60SCE Dreadnought 12-String has the longest scale: 25.3". The Yamaha CPX700II-12 is only 25" long. This is a 0.3'' (7.6mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Fender CD-60SCE Dreadnought 12-String Neck Profile
Fender CD-60SCE Dreadnought 12-String's neck profile
Yamaha CPX700II-12 Neck Profile
Yamaha CPX700II-12's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Fender CD-60SCE Dreadnought 12-String and the Yamaha CPX700II-12 have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Fender CD-60SCE Dreadnought 12-String Fingerboard Radius
Fender CD-60SCE Dreadnought 12-String's Fingerboard radius
Yamaha CPX700II-12 Fingerboard Radius
Yamaha CPX700II-12's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Fender CD-60SCE Dreadnought 12-String's fingerboard radius is smaller, which means it's more curved than the Yamaha CPX700II-12's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha CPX700II-12.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Fender CD-60SCE Dreadnought 12-String:
Big Hands
Small Hands
Yamaha CPX700II-12:
Big Hands
Small Hands

Fret Size

Fender CD-60SCE Dreadnought 12-String Frets Size
Fender CD-60SCE Dreadnought 12-String's Frets Size
Yamaha CPX700II-12 Frets Size
Yamaha CPX700II-12's Frets Size

The Yamaha CPX700II-12 has Medium frets, which should be taller than the Fender CD-60SCE Dreadnought 12-String's Vintage frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Fender CD-60SCE Dreadnought 12-String
Bending & Vibrato Ease 75
Chord Playability 75
Solo Playability 80
Playability 77
Yamaha CPX700II-12
Bending & Vibrato Ease 80
Chord Playability 80
Solo Playability 80
Playability 80

Specs Side-by-Side

Fender CD-60SCE Dreadnought 12-String vs Yamaha CPX700II-12
General Fender CD-60SCE Dreadnought 12-String Yamaha CPX700II-12
Brand: Fender Yamaha
Year: 2020 2015
Strings: 12 12
Made in: Indonesia China
Series: Classic Design CPX
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Spruce Solid Spruce
Sides Material: Mahogany Okoume
Back Material: Mahogany Okoume
Bridge: Rosewood Rosewood
Neck
Neck Joint: Set Set
Tuners: Chrome Die-Cast Die-Cast Chrome (TMW28)
Fretboard: Walnut Rosewood
Neck Material: Mahogany Nato
Decoration: 3mm Pearloid Dot Pearloid Dots
Scale Size: 25.3" 25"
Shape: Acoustic Fender 'Easy-to-Play' shape with rolled fretboard edges Acoustic C
Frets: 20 Vintage Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 15.75"
Nut: Plastic Plastic
Nut Width: 45mm (1.77'') 46mm (1.811'')
Electronics
Bridge Pickup: Fishman CD-1 Preamp (Preamp / Passive) SYSTEM64 + ART 1-Way Pickup (Preamp / Active)