Fender American Vintage II 1961 Stratocaster vs PRS Silver Sky
Reasons to Get
Fender American Vintage II 1961 Stratocaster over PRS Silver Sky
Reasons to Get
PRS Silver Sky over Fender American Vintage II 1961 Stratocaster
Other Key Differences
Fender American Vintage II 1961 Stratocaster vs PRS Silver Sky
Shared Features
Fender American Vintage II 1961 Stratocaster vs PRS Silver Sky
Common Strengths
- High-Quality Nut
- From a High-Quality-Standards Country
- Top Pickup Brand
Common Weaknesses
- Neck-Through Build
- Pickup Alter Switch/Knob
- Weight Relief
- Stays in Tune (Evertune)
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the PRS Silver Sky is probably the better product overall with its final score of 73 compared to the Fender American Vintage II 1961 Stratocaster's 72 score, although not by a lot.
The PRS Silver Sky wins when it comes to sound, value for the money. On the other hand, the Fender American Vintage II 1961 Stratocaster has the upper hand when it comes to.
If you got small hands, you'll probably feel that the Fender American Vintage II 1961 Stratocaster is easier to play.
Which One is Better for Beginners?
If you're looking for your first guitar to learn how to play, the Fender American Vintage II 1961 Stratocaster is the better choice.
The Fender American Vintage II 1961 Stratocaster meets 5 out of our 8 criteria items for beginner friendliness, while the PRS Silver Sky meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Fender American Vintage II 1961 Stratocaster- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Narrow nut
- Comfortable neck
- Comfortable fretboard
- Short scale
- Locking tuners
New Player Friendliness
PRS Silver Sky- Comfortable shape
- Easy-to-use bridge
- Locking tuners
- Narrow nut
- Comfortable fretboard
- Tall frets
- Short scale
- Comfortable neck
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Fender American Vintage II 1961 Stratocaster Overview
- From Fender's 2022 American Vintage II series
- Made in United States
- 6 strings
- 25.5"'' scale
- 7.25" Fretboard Radius
- Alder body
- Maple neck
- Slab Rosewood fretboard
- Bridge pickup: Fender Pure Vintage 61 Single-Coil Strat (Single Coil/Passive)
- Middle pickup: Fender Pure Vintage 61 Single-Coil Strat (Single Coil/Passive)
- Neck pickup: Fender Pure Vintage 61 Single-Coil Strat (Single Coil/Passive)
- 1 volume and 2 tone Bell knobs
- 5-way Switch
- Pure Vintage Synchronized Tremolo with Bent Steel Saddles bridge
- 1961 C Bolt-On neck
- 21 Vintage Tall frets
- Pure Vintage Single Line Fender Deluxe tuners
- Compare Specs >
PRS Silver Sky Overview
- From PRS's 2018 Bolt-On series
- John Mayer Signature
- Made in United States
- 6 strings
- 25.5"'' scale
- 7.25" Fretboard Radius
- Alder body
- Maple neck
- Maple or Rosewood fretboard
- Bridge pickup: PRS 635JM (Single Coil/Passive)
- Middle pickup: PRS 635JM (Single Coil/Passive)
- Neck pickup: PRS 635JM (Single Coil/Passive)
- 1 volume and 2 tone Bell knobs
- 5-way Switch
- PRS Steel Tremolo bridge
- JM635 Bolt-On neck
- 22 Vintage frets
- Vintage-Style, Locking tuners
- Weight between 7lbs (3.2kgs) and 7.75lbs (3.5kgs)
- Compare Specs >
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in Both
Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.
Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.
Woods Used in the Fender American Vintage II 1961 Stratocaster
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Winner: Fender American Vintage II 1961 Stratocaster.
Pickup Configuration
Both pickup configurations are SSS. SSS is perfect for players who like to play clean. The definition you get between notes and the crispiness is unmatched by most other configurations. You can still use it for distortion, but you won't get the same kind of output and power compared to a humbucker, and the hum they produce also makes them less adequate for high gain.
Pickups Quality
Both come with some of the top pickups on the market. You can't go wrong with either of them. You'll probably never need a pickup upgrade.
Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.
Winner: Tie.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
Both are equal when it comes to the pickup switching option.
Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.
They both share the following switching options:
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Tie.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Fender American Vintage II 1961 Stratocaster compares to the PRS Silver Sky.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in United States.
The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
In this case, both have Bone nuts. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
Both come with a similar bridge: Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Tie.
Tuners
The PRS Silver Sky has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.
Winner: PRS Silver Sky.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
Both have a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Fender American Vintage II 1961 Stratocaster
- Made in United States
- Expensive Wood
- Bone Nut
- Top Brand Pickups
- Tremolo
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
PRS Silver Sky
- Locking Tuners
- Made in United States
- Bone Nut
- Top Brand Pickups
- Tremolo
- Cheap Fret Wire (NS)
- No Expensive Woods
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, the PRS Silver Sky has the wider nut with 42.1mm (1.656'') vs 41.9mm (1.65''). This is a 0.2mm (0.006'') difference
This means that it will be more difficult to do bar chords on the PRS Silver Sky, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
In this case, both have a scale length of 25.5".
This is the scale used in most Stratocasters. It's slightly longer than the typical 24.75'' size found in Les Pauls, and it's one of the main reasons why Stratocasters have such a bright sound in general. A longer scale also means that the strings will have higher tension. This will help you get lower action without suffering fret buzz, which will also be helpful when playing in lower tunings without having to increase your string gauge.
However, this also means that there will be more separation between frets, which can make it more difficult to play. Also, bending the strings will require more strengths due to the increased tension, but remember that a tremolo guitar will offset this difficulty.
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Fender American Vintage II 1961 Stratocaster has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
The PRS Silver Sky, on the other hand, has a Vintage neck. This means that it's thicker than most modern necks, and makes it a better fit for playing chords and slow solos. Some people prefer this type of neck because it gives them a better grip thanks to the extra mass. Still, the vast majority prefer a thinner, faster, and more ''modern'' neck.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
Both the Fender American Vintage II 1961 Stratocaster and the PRS Silver Sky have the same fretboard radius of 7.25". This type of radius is considered vintage because it's a lot shorter than what is used in modern guitars. It'll make chords easy to play without muting the strings because the curve will give more space for your fingers, and it adapts more naturally to your hand. However, this comes at a disadvantage. Bending the strings will be more difficult because you will have to adapt your bends to the curve. Also, you won't be able to set the action of the strings low because your strings will ''fret out'' and get muted when bending due to the curve making the string hit the other frets.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the PRS Silver Sky favors large hands more than the Fender American Vintage II 1961 Stratocaster.
Fender American Vintage II 1961 Stratocaster:
PRS Silver Sky:
Fret Size
The Fender American Vintage II 1961 Stratocaster has Vintage Tall frets, which should be taller than the PRS Silver Sky's Vintage frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.
