Swap
Swap
Epiphone Tak Matsumoto 1955 Les Paul Standard
Ibanez AZ24047 Prestige
VS
Playability
73
Sound
72
Build
62
Value
69
Score
69
FIND IT ON:
Sweetwater logoMusician's Friend logo
Playability
77
Sound
81
Build
85
Value
71
Score
81
FIND IT ON:
Sweetwater logoMusician's Friend logo
Add to Compare
Add to Compare
Add more to comparison
Show Full Spec Comparison
Epiphone Tak Matsumoto 1955 Les Paul Standard vs Ibanez AZ24047 Prestige Specs Comparison
Epiphone Tak Matsumoto 1955 Les Paul Standard Ibanez AZ24047 Prestige
General
Brand: Epiphone Ibanez
Year: 2024 2021
Configuration: HH HSS
Strings: 6 7
Made in: China Japan
Series: Artist AZ
Colors: Yellow Black
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Mahogany Alder
Bridge: Gibson Historic Wraparound with Intonation Set Screws Gotoh T1872S
Neck
Neck Joint: Set Bolt-On
Tuners: Epiphone Deluxe Gotoh MG-T locking machine heads
Fretboard: Laurel Roasted Maple
Neck Material: Mahogany Roasted Maple
Decoration: Mother of Pearl Trapezoid Black Dot
Scale Size: 24.75" 25.5"
Shape: Custom Tak '59 Rounded C AZ7 Oval C
Frets: 22 Medium Jumbo Nickel Silver 24 Jumbo Stainless Steel
Fretboard Radius: 12" 12"
Nut: Ivory Tusq Black Tusq XL
Nut Width: 43mm (1.693'') 47mm (1.85'')
Electronics
Bridge Pickups: Gibson Burstbucker PRO Alnico 5 (Humbucker / Passive) Seymour Duncan Hyperion 7 (Humbucker / Passive)
Middle Pickup: Seymour Duncan Hyperion 7 (Humbucker / Passive)
Neck Pickup: Gibson Burstbucker PRO Alnico 5 (Humbucker / Passive) Seymour Duncan Hyperion 7 (Humbucker / Passive)
Switch: 3 Way 5 Way
Knobs: Speed Bell
Pickup Mods: None Series Split
Volume Controls: 2 1
Tone Controls: 2 1
Hardware
Strap Lock: Yes No
Hardware Color: Nickel Chrome
Show Diagrams Comparison
Epiphone Tak Matsumoto 1955 Les Paul Standard pickups switch and push knobs diagram
Epiphone Tak Matsumoto 1955 Les Paul Standard's switch options
Ibanez AZ24047 Prestige pickups switch selector and push knobs diagram
Ibanez AZ24047 Prestige's switch options

Reasons to Get
Epiphone Tak Matsumoto 1955 Les Paul Standard over Ibanez AZ24047 Prestige

Release Year
2024 vs 2021
From a more recent year
Type of Frets
Medium Jumbo vs Jumbo
You'll feel the fretboard when pressing down the strings
Strings
6 vs 7
Narrower neck and fewer strings to change
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Pickups
HH vs HSS
High output without hum
Nut Width
1.693'' (43mm) vs 1.85'' (47mm)
Favors small hands, easier bar chords and other shapes
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Bridge
Fixed vs Tremolo
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone

Reasons to Get
Ibanez AZ24047 Prestige over Epiphone Tak Matsumoto 1955 Les Paul Standard

Country of Manufacturing
Japan vs China
Built with higher quality standards
Fret Material
Stainless Steel vs Nickel Silver
Best fret material that will last forever
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Pickup Mods
Series Split vs None
Connects pickups in series to imitate a humbucker
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Strings
7 vs 6
Allows you to play lower notes
Switch Positions
5 vs 3
More tone options
Pickups
HSS vs HH
High output with beautiful cleans and tone versatility
Number of Frets
24 vs 22
Allows to reach higher notes
Locking Tuners
Yes vs None
Easier to change strings
Nut Width
1.85'' (47mm) vs 1.693'' (43mm)
Less likely to mute strings by accident and more space for fingerstyle
Luminescent Sidedots
Yes vs None
Assists you when playing in dark environments
Bridge
Tremolo vs Fixed
Simple vibratos without too much maintenance
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Value Score
71 vs 69
Better price/quality relationship

Other Key Differences
Epiphone Tak Matsumoto 1955 Les Paul Standard vs Ibanez AZ24047 Prestige

Bridge Pickup
Gibson Burstbucker PRO Alnico 5 vs Seymour Duncan Hyperion 7
Different Bridge Pickup
Neck Pickup
Gibson Burstbucker PRO Alnico 5 vs Seymour Duncan Hyperion 7
Different Neck Pickup
Body Wood
Mahogany vs Alder
Different Body Wood
Neck Wood
Mahogany vs Roasted Maple
Different Neck Wood
Fretboard Wood
Laurel vs Roasted Maple
Different Fretboard Wood
Headstock
3-3 vs 7
Different Headstock
Nut Material
Ivory Tusq vs Black Tusq XL
Different Nut Material

Shared Features
Epiphone Tak Matsumoto 1955 Les Paul Standard vs Ibanez AZ24047 Prestige

Body Type
Solid Body
Feedback free
Paint Finish
Poly
Resistant paint that ages well
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Profile Type
C
Comfortable neck that works for most people

Common Strengths

  • High-Quality Nut
  • High-Quality Frets
  • Top Pickup Brand

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • Compound Radius Fretboard
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Epiphone Tak Matsumoto 1955 Les Paul Standard Prices

    SET PRICE ALERT
    SET PRICE ALERT

    These are affiliate links. We may earn a fee if you purchase after clicking. These prices are prone to error. Make sure you're buying the right product after clicking on a link from our site. We are not liable if you buy the wrong product after following these links. As an Amazon Associate site we earn from qualifying purchases.

    Hand Size Comfortability

    And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Epiphone Tak Matsumoto 1955 Les Paul Standard favors large hands more than the Ibanez AZ24047 Prestige. But it's still more comfortable for people with small hands, as you can see in the score meter below.

    Epiphone Tak Matsumoto 1955 Les Paul Standard:
    Big Hands
    Small Hands
    Ibanez AZ24047 Prestige:
    Big Hands
    Small Hands

    Beginner Friendliness

    The Ibanez AZ24047 Prestige meets 6 out of our 8 criteria items for beginner friendliness, while the Epiphone Tak Matsumoto 1955 Les Paul Standard meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

    New Player Friendliness

    Epiphone Tak Matsumoto 1955 Les Paul Standard
    • Comfortable shape
    • Easy-to-use bridge
    • Tall frets
    • Comfortable neck
    • Comfortable fretboard
    • Narrow nut
    • Short scale
    • Locking tuners

    New Player Friendliness

    Ibanez AZ24047 Prestige
    • Comfortable shape
    • Easy-to-use bridge
    • Locking tuners
    • Tall frets
    • Narrow nut
    • Comfortable neck
    • Comfortable fretboard
    • Short scale

    Sound Quality Comparison

    The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

    Woods Used in the Epiphone Tak Matsumoto 1955 Les Paul Standard

    Mahogany wood pattern used for guitar building
    Mahogany
    Laurel wood pattern used for guitar building
    Laurel

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

    Woods Used in the Ibanez AZ24047 Prestige

    Roasted Maple wood pattern used for guitar building
    Roasted Maple
    Alder wood pattern used for guitar building
    Alder

    Roasted Maple is just maple without a finish. It's technically cheaper than regular maple, but it doesn't have any extra disadvantages because of this. The color is darker, and it's lighter weight and very stable even when there's a lot of humidity.

    Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

    Winner: Epiphone Tak Matsumoto 1955 Les Paul Standard.

    Pickup Configuration

    The Epiphone Tak Matsumoto 1955 Les Paul Standard has an HH configuration while the Ibanez AZ24047 Prestige has HSS pickups.

    Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

    On the other hand, HSS provides a great balance if you like to play with a lot of distortion, but also love to use clean tones. You'll get a lot of output at the bridge position, but you'll be able to play bright clean tones at the other positions.

    Pickups Quality

    Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

    However, the Epiphone Tak Matsumoto 1955 Les Paul Standard has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.

    Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

    Winner: Epiphone Tak Matsumoto 1955 Les Paul Standard.

    Versatility Comparison

    Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

    Switch Options

    The Ibanez AZ24047 Prestige gives you 5 switch options while the Epiphone Tak Matsumoto 1955 Les Paul Standard gives you 3. This means that the Ibanez AZ24047 Prestige gives you more options to find the right pickup combination for the type of sound you want to achieve

    Only the Ibanez AZ24047 Prestige comes with some kind of pickup modification: Series Split.

    The Series Split feature allows it to split and connect some of the pickups in series. When wired in series, the resulting tone is similar to a Humbucker's. The pickups will work together and produce a fuller tone with more output than single-coils, but less than Humbuckers.

    When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

    Winner: Ibanez AZ24047 Prestige.

    Final Sound Quality Scores

    Epiphone Tak Matsumoto 1955 Les Paul Standard
    Pickups 90
    Sustain 75
    Versatility 53
    Tuning Stability 70
    Sound 72
    Ibanez AZ24047 Prestige
    Pickups 85
    Sustain 80
    Versatility 85
    Tuning Stability 75
    Sound 81

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Epiphone Tak Matsumoto 1955 Les Paul Standard compares to the Ibanez AZ24047 Prestige.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. The Epiphone Tak Matsumoto 1955 Les Paul Standard is built in China while the Ibanez AZ24047 Prestige is made in Japan.

    China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

    Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

    Winner: Ibanez AZ24047 Prestige

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    The Epiphone Tak Matsumoto 1955 Les Paul Standard has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

    On the other hand, the Ibanez AZ24047 Prestige comes with a Black Tusq XL nut. TUSQ nuts are usually the highest quality you can get. Black TUSQs are made from a special slippery material that helps the strings get back to its original position (one of the keys to tune stability).

    Winner: Tie.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    In this comparison, the Ibanez AZ24047 Prestige is the only one that has stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.

    Winner: Ibanez AZ24047 Prestige.

    Bridge

    The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

    The Epiphone Tak Matsumoto 1955 Les Paul Standard's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

    On the other hand, the Ibanez AZ24047 Prestige's is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

    Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

    Winner: Tie.

    Tuners

    The Ibanez AZ24047 Prestige has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

    Winner: Ibanez AZ24047 Prestige.

    Neck Joint

    Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

    The Epiphone Tak Matsumoto 1955 Les Paul Standard has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

    On the other hand, the Ibanez AZ24047 Prestige comes with Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

    Winner: Ibanez AZ24047 Prestige.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    Epiphone Tak Matsumoto 1955 Les Paul Standard
    • Expensive Wood
    • Ivory Tusq Nut
    • Top Brand Pickups
    • Strap Lock
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Made in China
    • No Neck-Through Build
    • No Push Knob or Extra Switch Option
    • No Weight Relief
    • No Luminescent Inlay
    • No Tremolo
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    Strengths & Weaknesses
    Ibanez AZ24047 Prestige
    • Stainless Steel Frets
    • Locking Tuners
    • Made in Japan
    • Black Tusq XL Nut
    • Top Brand Pickups
    • Series Split Pickups
    • Luminescent Inlay
    • Tremolo
    • No Expensive Woods
    • No Neck-Through Build
    • No Weight Relief
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    Epiphone Tak Matsumoto 1955 Les Paul Standard
    Quality of materials 66
    Features 55
    Quality Control 65
    Build Quality 62
    Ibanez AZ24047 Prestige
    Quality of materials 86
    Features 75
    Quality Control 95
    Build Quality 85

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    Epiphone Tak Matsumoto 1955 Les Paul Standard Nut Width
    Epiphone Tak Matsumoto 1955 Les Paul Standard Nut Width
    Ibanez AZ24047 Prestige Nut Width
    Ibanez AZ24047 Prestige Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, the Ibanez AZ24047 Prestige has the wider nut with 47mm (1.85'') vs 43mm (1.693''). This is a 4mm (0.157'') difference

    This means that it will be more difficult to do bar chords on the Ibanez AZ24047 Prestige, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

    Scale Length

    Epiphone Tak Matsumoto 1955 Les Paul Standard's Scale Length
    Epiphone Tak Matsumoto 1955 Les Paul Standard's Scale Length
    Ibanez AZ24047 Prestige's Scale Length
    Ibanez AZ24047 Prestige's Scale Length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    The Ibanez AZ24047 Prestige has the longest scale: 25.5". The Epiphone Tak Matsumoto 1955 Les Paul Standard is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

    This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

    This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

    Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    Epiphone Tak Matsumoto 1955 Les Paul Standard Neck Profile
    Epiphone Tak Matsumoto 1955 Les Paul Standard's neck profile
    Ibanez AZ24047 Prestige Neck Profile
    Ibanez AZ24047 Prestige's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    Both the Epiphone Tak Matsumoto 1955 Les Paul Standard and the Ibanez AZ24047 Prestige have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    Epiphone Tak Matsumoto 1955 Les Paul Standard Fingerboard Radius
    Both Guitars Have The Same Fretboard Radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    Both the Epiphone Tak Matsumoto 1955 Les Paul Standard and the Ibanez AZ24047 Prestige have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

    Fret Size

    Epiphone Tak Matsumoto 1955 Les Paul Standard Frets Size
    Epiphone Tak Matsumoto 1955 Les Paul Standard's Frets Size
    Ibanez AZ24047 Prestige Frets Size
    Ibanez AZ24047 Prestige's Frets Size

    The Ibanez AZ24047 Prestige has Jumbo frets, which should be taller than the Epiphone Tak Matsumoto 1955 Les Paul Standard's Medium Jumbo frets.

    Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

    Final Playability Scores

    Epiphone Tak Matsumoto 1955 Les Paul Standard
    Bending & Vibrato Ease 85
    Chord Playability 65
    Solo Playability 70
    Playability 73
    Ibanez AZ24047 Prestige
    Bending & Vibrato Ease 80
    Chord Playability 60
    Solo Playability 90
    Playability 77