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Epiphone SG Standard 60s Maestro Vibrola
Ibanez ATZ10P
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Playability
72
Sound
65
Build
57
Value
70
Score
65
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Playability
73
Sound
82
Build
72
Value
76
Score
76
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Side to side spec comparison >

Epiphone SG Standard 60s Maestro Vibrola vs Ibanez ATZ10P

Reasons to Get
Epiphone SG Standard 60s Maestro Vibrola over Ibanez ATZ10P

Type of Frets
Medium Jumbo vs Jumbo
You'll feel the fretboard when pressing down the strings
Volume Knobs
2 vs 1
More volume control
Pickups
HH vs HHH
High output without hum
Neck Thickness at 1st Fret
0.82'' (20.8mm) vs 0.83'' (21.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.92'' (23.4mm) vs 0.91'' (23.1mm)
More comfortable at higher frets for big hands
Nut Width
1.693'' (43mm) vs 1.594'' (40.5mm)
Less likely to mute strings by accident and more space for fingerstyle
Scale Length
24.75'' (628.7mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone

Reasons to Get
Ibanez ATZ10P over Epiphone SG Standard 60s Maestro Vibrola

Country of Manufacturing
Indonesia vs China
Built with higher quality standards
Release Year
2022 vs 2020
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Pickups Brand
DiMarzio vs None
Pickups from a renown brand
Pickup Mods
Coil Split vs None
Splits humbuckers into single coil pickups
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Switch Positions
5 vs 3
More tone options
Pickups
HHH vs HH
High output without hum and tons of tone versatility
Locking Tuners
Yes vs None
Easier to change strings
Neck Thickness at 1st Fret
0.83'' (21.1mm) vs 0.82'' (20.8mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.91'' (23.1mm) vs 0.92'' (23.4mm)
More comfortable at higher frets for small hands
Nut Width
1.594'' (40.5mm) vs 1.693'' (43mm)
Favors small hands, easier bar chords and other shapes
Luminescent Sidedots
Yes vs None
Assists you when playing in dark environments
Scale Length
25.5'' (647.7mm) vs 24.75'' (628.7mm)
Lower action and brighter natural tone
Value Score
76 vs 70
Better price/quality relationship

Other Key Differences
Epiphone SG Standard 60s Maestro Vibrola vs Ibanez ATZ10P

Bridge Pickup
ProBucker 3 vs DiMarzio AT-1
Different Bridge Pickup
Neck Pickup
ProBucker 2 vs DiMarzio The Cruiser
Different Neck Pickup
Body Wood
Mahogany vs Alder
Different Body Wood
Neck Wood
Mahogany vs Roasted Maple
Different Neck Wood
Fretboard Wood
Laurel vs Roasted Maple
Different Fretboard Wood
Headstock
3-3 vs 6
Different Headstock

Shared Features
Epiphone SG Standard 60s Maestro Vibrola vs Ibanez ATZ10P

Nut Material
Ivory Tusq
Same Nut Material
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Tone Knobs
2
Same tone control
Number of Frets
22
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Tremolo
Simple vibratos without too much maintenance
Fretboard Radius
12'' (304.8mm)
Same fretboard comfortability
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Profile Type
C
Comfortable neck that works for most people

Common Strengths

  • High-Quality Nut

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

Epiphone SG Standard 60s Maestro Vibrola Prices

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Ibanez ATZ10P is probably the better product overall with its final score of 76 compared to the Epiphone SG Standard 60s Maestro Vibrola's 65 score, which is a significant difference.

The Ibanez ATZ10P wins when it comes to sound, playability, build quality, value for the money. This means that it wins over the Epiphone SG Standard 60s Maestro Vibrola in every aspect.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

If you're looking for your first guitar to learn how to play, the Ibanez ATZ10P is the better choice.

The Ibanez ATZ10P meets 6 out of our 8 criteria items for beginner friendliness, while the Epiphone SG Standard 60s Maestro Vibrola meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

Epiphone SG Standard 60s Maestro Vibrola
  • Comfortable shape
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Locking tuners

New Player Friendliness

Ibanez ATZ10P
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Epiphone SG Standard 60s Maestro Vibrola Overview

  • From Epiphone's 2020 Original Collection series
  • Made in China
  • 6 strings
  • 24.75"'' scale
  • 12" Fretboard Radius
  • Mahogany body
  • Mahogany neck
  • Indian Laurel fretboard
  • Bridge pickup: ProBucker 3 (Humbucker/Passive)
  • Neck pickup: ProBucker 2 (Humbucker/Passive)
  • 2 volume and 2 tone Bell knobs
  • 3-way Switch
  • LockTone Tune-O-Matic With Vibrola bridge
  • Slim Taper Set neck
  • 22 Medium Jumbo frets
  • Epiphone Deluxe Vintage machine heads, 18:1 ratio tuners
  • Compare Specs >

Ibanez ATZ10P Overview

  • From Ibanez's 2022 AT series
  • Andy Timmons Signature
  • Made in Indonesia
  • 6 strings
  • 25.5"'' scale
  • 12" Fretboard Radius
  • Alder body
  • Roasted Maple neck
  • Roasted Maple fretboard
  • Bridge pickup: DiMarzio AT-1 (Humbucker/Passive)
  • Middle pickup: DiMarzio The Cruiser (Humbucker/Passive)
  • Neck pickup: DiMarzio The Cruiser (Humbucker/Passive)
  • 1 volume and 2 tone Bell knobs
  • 5-way Switch
  • Wilkinson WV6-SB bridge
  • ATZ Bolt-On neck
  • 22 Jumbo frets
  • Gotoh MG-T locking machine heads tuners
  • Compare Specs >

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in the Epiphone SG Standard 60s Maestro Vibrola

Mahogany wood pattern used for guitar building
Mahogany
Laurel wood pattern used for guitar building
Laurel

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

Woods Used in the Ibanez ATZ10P

Roasted Maple wood pattern used for guitar building
Roasted Maple
Alder wood pattern used for guitar building
Alder

Roasted Maple is just maple without a finish. It's technically cheaper than regular maple, but it doesn't have any extra disadvantages because of this. The color is darker, and it's lighter weight and very stable even when there's a lot of humidity.

Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

Winner: Epiphone SG Standard 60s Maestro Vibrola.

Pickup Configuration

The Epiphone SG Standard 60s Maestro Vibrola has an HH configuration while the Ibanez ATZ10P has HHH pickups.

Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

On the other hand, A triple Humbucker (HHH) can be intimidating at first, but it's one of the combinations that offer the most tone versatility. You'll be able to have from a lot of output for Hard Rock genres, to warm and clean sounds that are more common in Jazz.

Pickups Quality

The Ibanez ATZ10P pickups from a more specialized brand than the Epiphone SG Standard 60s Maestro Vibrola. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.

We found the same or similar pickups to the Ibanez ATZ10P's online:

Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

Winner: Ibanez ATZ10P.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

The Ibanez ATZ10P gives you 5 switch options while the Epiphone SG Standard 60s Maestro Vibrola gives you 3. This means that the Ibanez ATZ10P gives you more options to find the right pickup combination for the type of sound you want to achieve

Only the Ibanez ATZ10P comes with some kind of pickup modification: Coil Split.

Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

Epiphone SG Standard 60s Maestro Vibrola pickups switch and push knobs diagram
Epiphone SG Standard 60s Maestro Vibrola's switch options
Ibanez ATZ10P pickups switch selector and push knobs diagram
Ibanez ATZ10P's switch options

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: Ibanez ATZ10P.

Final Sound Quality Scores

Epiphone SG Standard 60s Maestro Vibrola
Pickups 60
Sustain 70
Versatility 63
Tuning Stability 65
Sound 65
Ibanez ATZ10P
Pickups 90
Sustain 80
Versatility 82
Tuning Stability 75
Sound 82

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Epiphone SG Standard 60s Maestro Vibrola compares to the Ibanez ATZ10P.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The Epiphone SG Standard 60s Maestro Vibrola is built in China while the Ibanez ATZ10P is made in Indonesia.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

Winner: Ibanez ATZ10P

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

In this case, both have Ivory Tusq nuts. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

The Ibanez ATZ10P has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Ibanez ATZ10P.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The Epiphone SG Standard 60s Maestro Vibrola has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

On the other hand, the Ibanez ATZ10P comes with Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

Winner: Ibanez ATZ10P.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Epiphone SG Standard 60s Maestro Vibrola
  • Expensive Wood
  • Ivory Tusq Nut
  • Tremolo
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No Top Brand Pickups
  • No Neck-Through Build
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Luminescent Inlay
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Ibanez ATZ10P
  • Locking Tuners
  • Ivory Tusq Nut
  • Top Brand Pickups
  • Coil Split Pickups
  • Luminescent Inlay
  • Tremolo
  • Cheap Fret Wire (NS)
  • Made in Indonesia
  • No Expensive Woods
  • No Neck-Through Build
  • No Weight Relief
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Epiphone SG Standard 60s Maestro Vibrola
Quality of materials 56
Features 55
Quality Control 60
Build Quality 57
Ibanez ATZ10P
Quality of materials 66
Features 75
Quality Control 75
Build Quality 72

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Epiphone SG Standard 60s Maestro Vibrola Nut Width
Epiphone SG Standard 60s Maestro Vibrola Nut Width
Ibanez ATZ10P Nut Width
Ibanez ATZ10P Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Epiphone SG Standard 60s Maestro Vibrola has the wider nut with 43mm (1.693'') vs 40.5mm (1.594''). This is a 2.5mm (0.099'') difference

This means that it will be more difficult to do bar chords on the Epiphone SG Standard 60s Maestro Vibrola, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Epiphone SG Standard 60s Maestro Vibrola's Scale Length
Epiphone SG Standard 60s Maestro Vibrola's Scale Length
Ibanez ATZ10P's Scale Length
Ibanez ATZ10P's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Ibanez ATZ10P has the longest scale: 25.5". The Epiphone SG Standard 60s Maestro Vibrola is only 24.75" long. This is a 0.75'' (19.1mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Epiphone SG Standard 60s Maestro Vibrola Neck Profile
Epiphone SG Standard 60s Maestro Vibrola's neck profile
Ibanez ATZ10P Neck Profile
Ibanez ATZ10P's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

Both the Epiphone SG Standard 60s Maestro Vibrola and the Ibanez ATZ10P have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Epiphone SG Standard 60s Maestro Vibrola Fingerboard Radius
Both Guitars Have The Same Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

Both the Epiphone SG Standard 60s Maestro Vibrola and the Ibanez ATZ10P have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Epiphone SG Standard 60s Maestro Vibrola:
Big Hands
Small Hands
Ibanez ATZ10P:
Big Hands
Small Hands

Fret Size

Epiphone SG Standard 60s Maestro Vibrola Frets Size
Epiphone SG Standard 60s Maestro Vibrola's Frets Size
Ibanez ATZ10P Frets Size
Ibanez ATZ10P's Frets Size

The Ibanez ATZ10P has Jumbo frets, which should be taller than the Epiphone SG Standard 60s Maestro Vibrola's Medium Jumbo frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Epiphone SG Standard 60s Maestro Vibrola
Bending & Vibrato Ease 80
Chord Playability 65
Solo Playability 70
Playability 72
Ibanez ATZ10P
Bending & Vibrato Ease 80
Chord Playability 60
Solo Playability 80
Playability 73

Specs Side-by-Side

Epiphone SG Standard 60s Maestro Vibrola vs Ibanez ATZ10P
General Epiphone SG Standard 60s Maestro Vibrola Ibanez ATZ10P
Brand: Epiphone Ibanez
Year: 2020 2022
Configuration: HH HHH
Strings: 6 6
Made in: China Indonesia
Series: Original Collection AT
Colors: Red Sunburst
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Mahogany Alder
Bridge: LockTone Tune-O-Matic With Vibrola Wilkinson WV6-SB
Neck
Neck Joint: Set Bolt-On
Tuners: Epiphone Deluxe Vintage machine heads, 18:1 ratio Gotoh MG-T locking machine heads
Fretboard: Indian Laurel Roasted Maple
Neck Material: Mahogany Roasted Maple
Decoration: Trapezoid Black Dot
Scale Size: 24.75" 25.5"
Shape: Slim Taper ATZ
Thickness: 1st Fret: 0.82'' (20.8mm) - 12th Fret: 0.92'' (23.4mm) 1st Fret: 0.83'' (21.1mm) - 12th Fret: 0.91'' (23.1mm)
Frets: 22 Medium Jumbo Nickel Silver 22 Jumbo Nickel Silver
Fretboard Radius: 12" 12"
Nut: Ivory Tusq Ivory Tusq
Nut Width: 43mm (1.693'') 40.5mm (1.594'')
Electronics
Bridge Pickup: ProBucker 3 (Humbucker / Passive) DiMarzio AT-1 (Humbucker / Passive)
Middle Pickup: DiMarzio The Cruiser (Humbucker / Passive)
Neck Pickup: ProBucker 2 (Humbucker / Passive) DiMarzio The Cruiser (Humbucker / Passive)
Switch: 3 Way 5 Way
Knobs: Bell Bell
Pickup Mods: None Coil Split
Volume Controls: 2 1
Tone Controls: 2 2