Show Full Spec Comparison
| Epiphone Les Paul Muse | Gibson Jimi Hendrix 1967 SG Custom | |
|---|---|---|
| General | ||
| Brand: | Epiphone | Gibson |
| Year: | 2020 | 2020 |
| Configuration: | HH | HHH |
| Strings: | 6 | 6 |
| Made in: | China | United States |
| Series: | Epiphone Inspired by Gibson | Artist Collection |
| Colors: | White, Black, Blue, Green, Brown, Red, Purple | White |
| Left-Handed Version: | No | No |
| Body | ||
| Type: | Solid Body | Solid Body |
| Body Material: | Mahogany (chambered, thin, belly scarf) | Mahogany |
| Bridge: | LockTone Tune-O-Matic | ABR-1 Maestro Short Vibrola |
| Neck | ||
| Neck Joint: | Set | Set |
| Tuners: | Grover Rotomatic 18:1 ratio | Kluson Waffle Back, Metal Tulip Buttons |
| Fretboard: | Indian Laurel | Ebony |
| Neck Material: | Mahogany | Mahogany |
| Decoration: | Trapezoid | Custom Block |
| Scale Size: | 24.75" | 24.75" |
| Shape: | Custom C | 60s Slim Taper |
| Frets: | 22 Medium Jumbo Nickel Silver | 22 Vintage Nickel Silver |
| Fretboard Radius: | 12" | 12" |
| Nut: | NuBone | Nylon |
| Nut Width: | 43mm (1.693'') | 43mm (1.693'') |
| Electronics | ||
| Bridge Pickups: | Alnico Classic PRO (Humbucker / Passive) | Gibson 68 Custom Humbucker (Humbucker / Passive) |
| Middle Pickup: | Gibson 68 Custom Humbucker (Humbucker / Passive) | |
| Neck Pickup: | Alnico Classic PRO (Humbucker / Passive) | Gibson 68 Custom Humbucker (Humbucker / Passive) |
| Switch: | 3 Way | 3 Way |
| Knobs: | Speed | Bell |
| Pickup Mods: | Coil Split, Phase Out | None |
| Volume Controls: | 2 | 2 |
| Tone Controls: | 2 | 2 |
| Hardware | ||
| Strap Lock: | No | No |
| Hardware Color: | Chrome | Gold |
Show Diagrams Comparison


Reasons to Get
Epiphone Les Paul Muse over Gibson Jimi Hendrix 1967 SG Custom
Reasons to Get
Gibson Jimi Hendrix 1967 SG Custom over Epiphone Les Paul Muse
Other Key Differences
Epiphone Les Paul Muse vs Gibson Jimi Hendrix 1967 SG Custom
Shared Features
Epiphone Les Paul Muse vs Gibson Jimi Hendrix 1967 SG Custom
Common Strengths
- High-Quality Nut
- Expensive Wood
Common Weaknesses
- Neck-Through Build
- Weight Relief
- Locking Tuners
- Stays in Tune (Evertune)
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Price History Comparison
Epiphone Les Paul Muse Prices
Gibson Jimi Hendrix 1967 SG Custom Prices
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Hand Size Comfortability
After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both favor small hands .
Epiphone Les Paul Muse:
Gibson Jimi Hendrix 1967 SG Custom:
Beginner Friendliness
The Epiphone Les Paul Muse meets 4 out of our 8 criteria items for beginner friendliness, while the Gibson Jimi Hendrix 1967 SG Custom meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Epiphone Les Paul Muse- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Locking tuners
New Player Friendliness
Gibson Jimi Hendrix 1967 SG Custom- Comfortable shape
- Easy-to-use bridge
- Comfortable neck
- Comfortable fretboard
- Tall frets
- Narrow nut
- Short scale
- Locking tuners
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in Both

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Woods Used in the Epiphone Les Paul Muse

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.
Woods Used in the Gibson Jimi Hendrix 1967 SG Custom

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.
Winner: Gibson Jimi Hendrix 1967 SG Custom.
Pickup Configuration
The Epiphone Les Paul Muse has an HH configuration while the Gibson Jimi Hendrix 1967 SG Custom has HHH pickups.
Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.
On the other hand, A triple Humbucker (HHH) can be intimidating at first, but it's one of the combinations that offer the most tone versatility. You'll be able to have from a lot of output for Hard Rock genres, to warm and clean sounds that are more common in Jazz.
Pickups Quality
The Gibson Jimi Hendrix 1967 SG Custom pickups from a more specialized brand than the Epiphone Les Paul Muse. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.
Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.
Winner: Gibson Jimi Hendrix 1967 SG Custom.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
Both are equal when it comes to the pickup switching option.
Only the Epiphone Les Paul Muse comes with some kind of pickup modification: Coil Split, Phase Out.
Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.
When the Phase Out option is activated, the pickups will ''work against each other'', meaning that they will cancel out their shared frequencies. The result is a very thin sound, instead of a full, rich tone. This is an interesting sound for genres like reggae or funk and has also been used in classic Hard Rock.
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Epiphone Les Paul Muse.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Epiphone Les Paul Muse compares to the Gibson Jimi Hendrix 1967 SG Custom.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Epiphone Les Paul Muse is built in China while the Gibson Jimi Hendrix 1967 SG Custom is made in United States.
China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.
The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.
Winner: Gibson Jimi Hendrix 1967 SG Custom
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Epiphone Les Paul Muse has a NuBone nut. It's made by the same company that makes TUSQ nuts. It's slightly softer but hard enough to give you a brighter sound when playing open strings. It's also self-lubricating, so it's good for tuning stability.
On the other hand, the Gibson Jimi Hendrix 1967 SG Custom comes with a Nylon nut. It used to be one of the highest quality materials for nuts (and still is), but it's rare to find nowadays because it's hard to work with. It's a very resistant material with very low friction, so it will keep the guitar in tune and will last for a long time
Winner: Tie.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
The Epiphone Les Paul Muse's brige is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.
On the other hand, the Gibson Jimi Hendrix 1967 SG Custom's is a Tremolo. Tremolo bridges give you more versatility than fixed bridges. They let you perform the intense vibrato effects that would be impossible with a fixed bridge. However, since the bridge floats and there's less contact with the body, the strings lose sustain slightly faster. They can also be a bit harder to restring and set up correctly than fixed bridges.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Tie.
Tuners
Both come with regular tuners. The Epiphone Les Paul Muse's are Grover Rotomatic 18:1 ratio while the Gibson Jimi Hendrix 1967 SG Custom's are Kluson Waffle Back, Metal Tulip Buttons
Winner: Tie.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Epiphone Les Paul Muse
- Expensive Wood
- NuBone Nut
- Coil Split, Phase Out Pickups
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- No Top Brand Pickups
- No Neck-Through Build
- No Weight Relief
- No Luminescent Inlay
- No Tremolo
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Gibson Jimi Hendrix 1967 SG Custom
- Made in United States
- Expensive Wood
- Nylon Nut
- Top Brand Pickups
- Tremolo
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 43mm (1.693'').
This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.
Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
In this case, both have a scale length of 24.75".
This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.
On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile


No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
In this case, both have different neck shapes:
The Epiphone Les Paul Muse has a C type of neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
The Gibson Jimi Hendrix 1967 SG Custom, on the other hand, has a D neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.
Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
Both the Epiphone Les Paul Muse and the Gibson Jimi Hendrix 1967 SG Custom have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.
Fret Size


The Epiphone Les Paul Muse has Medium Jumbo frets, which should be taller than the Gibson Jimi Hendrix 1967 SG Custom's Vintage frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.










