Show Full Spec Comparison
| Epiphone Joe Bonamassa 1955 Les Paul Standard | Gibson 70s Flying V | |
|---|---|---|
| General | ||
| Brand: | Epiphone | Gibson |
| Year: | 2024 | 2019 |
| Configuration: | P90P90 | HH |
| Strings: | 6 | 6 |
| Made in: | China | United States |
| Series: | Artist | Original Collection |
| Colors: | Brown | White |
| Left-Handed Version: | No | No |
| Body | ||
| Type: | Solid Body | Solid Body |
| Body Material: | Mahogany | Mahogany |
| Bridge: | LockTone Stop Bar | Aluminum Nashville Tune-O-Matic |
| Neck | ||
| Neck Joint: | Set | Set |
| Tuners: | Epiphone Deluxe | Grover Rotomatics w/ Kidney Buttons |
| Fretboard: | Laurel | Rosewood |
| Neck Material: | Mahogany | Mahogany |
| Decoration: | Pearloid Trapezoid | Acrylic Dots |
| Scale Size: | 24.75" | 24.75" |
| Shape: | Custom '59 Rounded C | Slim Taper |
| Frets: | 22 Medium Jumbo Nickel Silver | 22 Medium Jumbo Nickel Silver |
| Fretboard Radius: | 12" | 12" |
| Nut: | Ivory Tusq | Ivory Tusq |
| Nut Width: | 43mm (1.693'') | 43mm (1.693'') |
| Electronics | ||
| Bridge Pickups: | Epiphone P-90 PRO Soapbar (Humbucker / Passive) | Gibson 70s Tribute (Humbucker / Passive) |
| Middle Pickup: | ||
| Neck Pickup: | Epiphone P-90 PRO Soapbar (Humbucker / Passive) | Gibson 70s Tribute (Humbucker / Passive) |
| Switch: | 3 Way | 3 Way |
| Knobs: | Speed | Bell |
| Pickup Mods: | None | None |
| Volume Controls: | 2 | 2 |
| Tone Controls: | 2 | 1 |
| Hardware | ||
| Strap Lock: | No | No |
| Hardware Color: | Nickel | Chrome |
Show Diagrams Comparison
Reasons to Get
Epiphone Joe Bonamassa 1955 Les Paul Standard over Gibson 70s Flying V
Reasons to Get
Gibson 70s Flying V over Epiphone Joe Bonamassa 1955 Les Paul Standard
Other Key Differences
Epiphone Joe Bonamassa 1955 Les Paul Standard vs Gibson 70s Flying V
Shared Features
Epiphone Joe Bonamassa 1955 Les Paul Standard vs Gibson 70s Flying V
Common Strengths
- High-Quality Nut
- Expensive Wood
Common Weaknesses
- Neck-Through Build
- Pickup Alter Switch/Knob
- Weight Relief
- Locking Tuners
- Stays in Tune (Evertune)
- High-Quality Frets
- Compound Radius Fretboard
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Price History Comparison
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Hand Size Comfortability
After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both favor small hands .
Epiphone Joe Bonamassa 1955 Les Paul Standard:
Gibson 70s Flying V:
Beginner Friendliness
The Epiphone Joe Bonamassa 1955 Les Paul Standard meets 4 out of our 8 criteria items for beginner friendliness, while the Gibson 70s Flying V meets only 3. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.
New Player Friendliness
Epiphone Joe Bonamassa 1955 Les Paul Standard- Comfortable shape
- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable fretboard
- Narrow nut
- Short scale
- Locking tuners
New Player Friendliness
Gibson 70s Flying V- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Narrow nut
- Short scale
- Locking tuners
Sound Quality Comparison
The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.
Woods Used in Both
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Woods Used in the Epiphone Joe Bonamassa 1955 Les Paul Standard
There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.
Woods Used in the Gibson 70s Flying V
Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.
Winner: Gibson 70s Flying V.
Pickup Configuration
The Epiphone Joe Bonamassa 1955 Les Paul Standard has an P90P90 configuration while the Gibson 70s Flying V has HH pickups.
P90P90 gives you two P90s for a crunchy vintage tone. The tone sits somewhere in the middle between typical single-coils and humbuckers. They also produce less hum than single-coils, but they don't cancel it completely like humbuckers.
On the other hand, Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.
Pickups Quality
The Gibson 70s Flying V pickups from a more specialized brand than the Epiphone Joe Bonamassa 1955 Les Paul Standard. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Hard Rock and similar genres.
Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.
Winner: Gibson 70s Flying V.
Versatility Comparison
Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.
Switch Options
Both are equal when it comes to the pickup switching option.
Neither of them come with some kind of coil split or pickup mod option. This makes both lacking in terms of versatility.
When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.
Winner: Epiphone Joe Bonamassa 1955 Les Paul Standard.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Epiphone Joe Bonamassa 1955 Les Paul Standard compares to the Gibson 70s Flying V.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. The Epiphone Joe Bonamassa 1955 Les Paul Standard is built in China while the Gibson 70s Flying V is made in United States.
China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.
The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.
Winner: Gibson 70s Flying V
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
In this case, both have Ivory Tusq nuts. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Bridge
The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.
Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.
Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.
Winner: Tie.
Tuners
Both come with regular tuners. The Epiphone Joe Bonamassa 1955 Les Paul Standard's are Epiphone Deluxe while the Gibson 70s Flying V's are Grover Rotomatics w/ Kidney Buttons
Winner: Tie.
Neck Joint
Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.
Both have a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Epiphone Joe Bonamassa 1955 Les Paul Standard
- Expensive Wood
- Ivory Tusq Nut
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- No Top Brand Pickups
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Tremolo
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Gibson 70s Flying V
- Made in United States
- Expensive Wood
- Ivory Tusq Nut
- Top Brand Pickups
- Cheap Fret Wire (NS)
- No Locking Tuners
- No Neck-Through Build
- No Push Knob or Extra Switch Option
- No Weight Relief
- No Luminescent Inlay
- No Tremolo
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 43mm (1.693'').
This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
In this case, both have a scale length of 24.75".
This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.
On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
Both the Epiphone Joe Bonamassa 1955 Les Paul Standard and the Gibson 70s Flying V have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
Both the Epiphone Joe Bonamassa 1955 Les Paul Standard and the Gibson 70s Flying V have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.
Fret Size
Both have a Medium Jumbo fret size. These are slightly shorter than full Jumbo frets, so you'll still feel the fretboard when pressing down the strings. However, they interfere less with your fretting hand than medium-size frets. This is a good size if you like easy-to-press frets, but would still like to feel a bit of the fretboard when playing.
