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Epiphone J-45 Studio
Yamaha LL16D ARE
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Playability
73
Sound
80
Build
62
Value
82
Score
72
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Playability
73
Sound
85
Build
72
Value
82
Score
77
FIND IT ON:
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Side to side spec comparison >

Epiphone J-45 Studio vs Yamaha LL16D ARE

Reasons to Get
Epiphone J-45 Studio over Yamaha LL16D ARE

Release Year
2021 vs 2014
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Neck Profile
Acoustic Slim Taper vs Acoustic C
Thin and flat neck for playing fast
Nut Width
1.693'' (43mm) vs 1.732'' (44mm)
Favors small hands, easier bar chords and other shapes
Scale Length
25.5'' (647.7mm) vs 25.6'' (650.2mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
12'' (304.8mm) vs 15.75'' (400.1mm)
More curved fretboard helpful to play chords without muting strings

Reasons to Get
Yamaha LL16D ARE over Epiphone J-45 Studio

Neck Profile
Acoustic C vs Acoustic Slim Taper
Comfortable neck that works for most people
Pickup Mods
Multi-Voicing vs None
Changes the voice (tones or gain) of the pickups
Sides Wood
Solid vs Laminated
Helps with richer tones and louder volume
Back Wood
Solid vs Laminated
Helps with richer tones and louder volume
Nut Width
1.732'' (44mm) vs 1.693'' (43mm)
Less likely to mute strings by accident and more space for fingerstyle
Scale Length
25.6'' (650.2mm) vs 25.5'' (647.7mm)
Lower action and brighter natural tone
Fretboard Radius
15.75'' (400.1mm) vs 12'' (304.8mm)
Flatter fretboard makes it easier to play single notes and bend

Other Key Differences
Epiphone J-45 Studio vs Yamaha LL16D ARE

Back Material
Mahogany vs Rosewood
Different Back Material
Sides Material
Mahogany vs Rosewood
Different Sides Material
Bridge Material
Mahogany vs Ebony
Different Bridge Material
Fretboard Wood
Laurel vs Ebony
Different Fretboard Wood

Shared Features
Epiphone J-45 Studio vs Yamaha LL16D ARE

Saddle Material
Plastic
Same Saddle Material
Body Wood
Spruce
Same Body Wood
Neck Wood
Mahogany
Same Neck Wood
Headstock
3-3
Same Headstock
Nut Material
Plastic
Same Nut Material
Strings
6
Same playing style
Body Type
Hollowbody
Warm tone, lighter and acoustic sound
Switch Positions
0
Same pickups versatility
Volume Knobs
0
Same volume control
Tone Knobs
0
Same tone control
Number of Frets
20
Same maximum octave
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
Medium Jumbo vs Medium
You'll feel the fretboard when pressing down the strings

Common Strengths

  • Solid Top Wood
  • Expensive Wood

Common Weaknesses

  • Locking Tuners
  • High-Quality Nut
  • High-Quality Frets
  • Compound Radius Fretboard
  • From a High-Quality-Standards Country
  • Luminescent Sidedots
  • Strap Lock
  • Top Pickup Brand
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Table of Contents

Price History Comparison

SET PRICE ALERT
SET PRICE ALERT

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Which One is Better Overall?

After going through our comparison algorithm, the results show that the Yamaha LL16D ARE is probably the better product overall with its final score of 77 compared to the Epiphone J-45 Studio's 72 score, although not by a lot.

The Yamaha LL16D ARE wins when it comes to sound, build quality. On the other hand, the Epiphone J-45 Studio has the upper hand when it comes to.

If you got small hands, none of these instruments will make a big difference when it comes to comfortability.

Which One is Better for Beginners?

Both meet 3 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

New Player Friendliness

Epiphone J-45 Studio
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

New Player Friendliness

Yamaha LL16D ARE
  • Easy-to-use bridge
  • Tall frets
  • Comfortable neck
  • Comfortable shape
  • Comfortable fretboard
  • Narrow nut
  • Short scale
  • Soft Strings
  • Locking tuners

Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.

Epiphone J-45 Studio Overview

  • From Epiphone's 2021 Original Acoustic series
  • Made in China
  • 6 strings
  • 25.5"'' scale
  • 12" Fretboard Radius
  • Solid Sitka Spruce top
  • Select Mahogany back
  • Select Mahogany sides
  • Mahogany neck
  • Indian Laurel fretboard
  • Bridge pickup: (/)
  • Mahogany bridge
  • Acoustic Slim Taper Set neck
  • 20 Medium Jumbo frets
  • Premium Tuners tuners
  • Compare Specs >

Yamaha LL16D ARE Overview

  • From Yamaha's 2014 L series
  • Made in China
  • 6 strings
  • 25.6"'' scale
  • 15.75" Fretboard Radius
  • Solid Engelmann Spruce with A.R.E. top
  • Solid Rosewood back
  • Solid Rosewood sides
  • Mahogany + Rosewood (5-Ply) neck
  • Ebony fretboard
  • Bridge pickup: Passive System + SRT Piezo Pickup (Preamp/Passive)
  • Ebony bridge
  • Acoustic C Set neck
  • 20 Medium frets
  • Die-Cast Gold (TM29G) tuners
  • Weight between 4.85lbs (2.2kgs) and 5.1lbs (2.3kgs)
  • Compare Specs >

Sound Quality Comparison

The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .

Woods Used in Both

Mahogany wood pattern used for guitar building
Mahogany
Spruce wood pattern used for guitar building
Spruce

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.

Woods Used in the Epiphone J-45 Studio

Laurel wood pattern used for guitar building
Laurel

There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

Woods Used in the Yamaha LL16D ARE

Ebony wood pattern used for guitar building
Ebony
Rosewood wood pattern used for guitar building
Rosewood

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

Winner: Yamaha LL16D ARE.

Electronics

The Yamaha LL16D ARE comes with a preamp that allows you to connect it to an amp, unlike its competitor. This allows it to have more versatility and sound quality if you want to record with it or play live.

Winner:Yamaha LL16D ARE.

Final Sound Quality Scores

Epiphone J-45 Studio
Sustain 75
Versatility 80
Tuning Stability 65
Sound 80
Yamaha LL16D ARE
Sustain 85
Versatility 90
Tuning Stability 65
Sound 85

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Epiphone J-45 Studio compares to the Yamaha LL16D ARE.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in China.

China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

In this case, both have Plastic nuts. This is a low-quality nut that you might want to consider upgrading soon. Bone and TUSQ nuts are the best for guitars with a fixed or simple tremolo bridge.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Unfortunately, none of them come with stainless steel frets.

Winner: Tie.

Tuners

Both come with regular tuners. The Epiphone J-45 Studio's are Premium Tuners while the Yamaha LL16D ARE's are Die-Cast Gold (TM29G)

Winner: Tie.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
Epiphone J-45 Studio
  • Expensive Wood
  • Solid Top Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • No Top Brand Pickups
  • No Electronics
  • Low-Quality Material Saddle
  • Laminated Side Wood
  • Laminated Back Wood
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Yamaha LL16D ARE
  • Expensive Wood
  • Electronics
  • Solid Top Wood
  • Solid Side Wood
  • Solid Back Wood
  • Cheap Fret Wire (NS)
  • No Locking Tuners
  • Made in China
  • No High-Quality Nut
  • No Top Brand Pickups
  • Low-Quality Material Saddle
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

Epiphone J-45 Studio
Quality of materials 66
Features 65
Quality Control 55
Build Quality 62
Yamaha LL16D ARE
Quality of materials 76
Features 80
Quality Control 60
Build Quality 72

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

Epiphone J-45 Studio Nut Width
Epiphone J-45 Studio Nut Width
Yamaha LL16D ARE Nut Width
Yamaha LL16D ARE Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, the Yamaha LL16D ARE has the wider nut with 44mm (1.732'') vs 43mm (1.693''). This is a 1mm (0.039'') difference

This means that it will be more difficult to do bar chords on the Yamaha LL16D ARE, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

Scale Length

Epiphone J-45 Studio's Scale Length
Epiphone J-45 Studio's Scale Length
Yamaha LL16D ARE's Scale Length
Yamaha LL16D ARE's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

The Yamaha LL16D ARE has the longest scale: 25.6". The Epiphone J-45 Studio is only 25.5" long. This is a 0.1'' (2.5mm) scale length difference.

This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

Epiphone J-45 Studio Neck Profile
Epiphone J-45 Studio's neck profile
Yamaha LL16D ARE Neck Profile
Yamaha LL16D ARE's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The Epiphone J-45 Studio has a D type of neck. This is a thin and flat neck that is made for playing fast. If you prefer a neck that doesn't get in your way when soloing, this is the shape you should use. Guitarists that prefer to have a bit more grip won't like this type of neck.

The Yamaha LL16D ARE, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

Epiphone J-45 Studio Fingerboard Radius
Epiphone J-45 Studio's Fingerboard radius
Yamaha LL16D ARE Fingerboard Radius
Yamaha LL16D ARE's Fingerboard radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Epiphone J-45 Studio's fingerboard radius is smaller, which means it's more curved than the Yamaha LL16D ARE's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Yamaha LL16D ARE.

Still, both tend to favor soloing over chords, so if you're looking for a guitar for playing rhythm, you might want something else with a radius closer to a Stratocaster's 9.5''.

Hand Size Comfortability

Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.

After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .

Epiphone J-45 Studio:
Big Hands
Small Hands
Yamaha LL16D ARE:
Big Hands
Small Hands

Fret Size

Epiphone J-45 Studio Frets Size
Epiphone J-45 Studio's Frets Size
Yamaha LL16D ARE Frets Size
Yamaha LL16D ARE's Frets Size

The Epiphone J-45 Studio has Medium Jumbo frets, which should be taller than the Yamaha LL16D ARE's Medium frets.

Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

Final Playability Scores

Epiphone J-45 Studio
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73
Yamaha LL16D ARE
Bending & Vibrato Ease 75
Chord Playability 65
Solo Playability 80
Playability 73

Specs Side-by-Side

Epiphone J-45 Studio vs Yamaha LL16D ARE
General Epiphone J-45 Studio Yamaha LL16D ARE
Brand: Epiphone Yamaha
Year: 2021 2014
Strings: 6 6
Made in: China China
Series: Original Acoustic L
Colors: Natural Natural
Left-Handed Version: No No
Body
Type: Hollowbody Hollowbody
Body Material: Solid Sitka Spruce Solid Engelmann Spruce with A.R.E.
Sides Material: Mahogany Rosewood
Back Material: Mahogany Rosewood
Bridge: Mahogany Ebony
Neck
Neck Joint: Set Set
Tuners: Premium Tuners Die-Cast Gold (TM29G)
Fretboard: Indian Laurel Ebony
Neck Material: Mahogany Mahogany + Rosewood (5-Ply)
Decoration: Pearloid Dot Dots
Scale Size: 25.5" 25.6"
Shape: Acoustic Slim Taper Acoustic C
Frets: 20 Medium Jumbo Nickel Silver 20 Medium Nickel Silver
Fretboard Radius: 12" 15.75"
Nut: Plastic Plastic
Nut Width: 43mm (1.693'') 44mm (1.732'')
Electronics
Bridge Pickup: Passive System + SRT Piezo Pickup (Preamp / Passive)