Epiphone J-45 EC Studio vs J-200 EC Studio Parlor
Reasons to Get
Epiphone J-45 EC Studio over J-200 EC Studio Parlor
Reasons to Get
Epiphone J-200 EC Studio Parlor over J-45 EC Studio
Other Key Differences
Epiphone J-45 EC Studio vs J-200 EC Studio Parlor
Shared Features
Epiphone J-45 EC Studio vs J-200 EC Studio Parlor
Common Strengths
- Solid Top Wood
- High-Quality Nut
- Top Pickup Brand
- Expensive Wood
Common Weaknesses
- Solid Side Wood
- Solid Back Wood
- Pickup Alter Switch/Knob
- Locking Tuners
- High-Quality Frets
- Compound Radius Fretboard
- From a High-Quality-Standards Country
- Luminescent Sidedots
- Strap Lock
- 21:1 Tuner Ratio
- Active/Passive Preamp
Table of Contents
Price History Comparison
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Which One is Better Overall?
After going through our comparison algorithm, the results show that the Epiphone J-200 EC Studio Parlor is probably the better product overall with its final score of 80 compared to the Epiphone J-45 EC Studio's 78 score, although not by a lot.
The Epiphone J-200 EC Studio Parlor wins when it comes to build quality. On the other hand, the Epiphone J-45 EC Studio has the upper hand when it comes to value for the money.
If you got small hands, none of these instruments will make a big difference when it comes to comfortability.
Which One is Better for Beginners?
Both meet 3 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.
New Player Friendliness
Epiphone J-45 EC Studio- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
New Player Friendliness
Epiphone J-200 EC Studio Parlor- Easy-to-use bridge
- Tall frets
- Comfortable neck
- Comfortable shape
- Comfortable fretboard
- Narrow nut
- Short scale
- Soft Strings
- Locking tuners
Nevertheless, when it comes to choosing an instrument, you should pick the one more compatible with your personal style. Still, below we'll try you to give you our results as objectively as it's possible to help you decide.
Epiphone J-45 EC Studio Overview
- From Epiphone's 2021 Modern series
- Made in China
- 6 strings
- 24.75"'' scale
- 12" Fretboard Radius
- Solid Sitka Spruce top
- Layered Mahogany back
- Layered Mahogany sides
- Mahogany neck
- Pau Ferro fretboard
- Bridge pickup: Fishman Sonicore (Preamp/Active)
- Reverse Belly Pau Ferro bridge
- Acoustic Rounded C Set neck
- 20 Medium Jumbo frets
- Epiphone Premium Die Cast with Kidney Bean Metal Buttons tuners
- Compare Specs >
Epiphone J-200 EC Studio Parlor Overview
- From Epiphone's 2020 Modern Acoustic series
- Made in China
- 6 strings
- 24.75"'' scale
- 12" Fretboard Radius
- Solid Spruce top
- Ovangkol back
- Ovangkol sides
- Mahogany neck
- Pau Ferro fretboard
- Bridge pickup: Fishman Sonicore (Preamp/Active)
- Pau Ferro bridge
- Acoustic Rounded Set neck
- 20 Medium frets
- Grover Mini Rotomatic; 18:1 ratio tuners
- Compare Specs >
Sound Quality Comparison
The most important thing that will determine the tone of an acoustic guitar is the wood. Let's take a look at the differences between both .
Woods Used in Both
Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.
Pau Ferro has a dark, chocolate-like color with straight dark grains that is being used as a replacement to Rosewood due to the regulations. It produces a warm tone that is somewhere between Mahogany and Rosewood. Find out more about Pau Ferro.
Spruce has a light color with tight grain patterns. It's very stiff but relatively light. It's known for producing a well-rounded tone with a broad dynamic range. Find out more about Spruce.
Woods Used in the Epiphone J-200 EC Studio Parlor
Ovangkol is a beautiful wood that's popular for acoustic guitars. Its tone sits somewhere between rosewood and mahogany, meaning it has a punchy low-end and nice mid-range. Find out more about Ovangkol.
Winner: Tie.
Electronics
Both come with electronics that allow you connect them to an amplifier or interface for recording.
Winner:Tie.
Final Sound Quality Scores
Build Quality Comparison
When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Epiphone J-45 EC Studio compares to the Epiphone J-200 EC Studio Parlor.
Country of Origin
The manufacturing country can tell a lot about the build quality of an instrument. Both in this comparison where made in China.
China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.
Winner: Tie
Nut Material
If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.
The Epiphone J-45 EC Studio has a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.
On the other hand, the Epiphone J-200 EC Studio Parlor comes with a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.
Winner: Tie.
Fret Material
Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.
Unfortunately, none of them come with stainless steel frets.
Winner: Tie.
Tuners
Both come with regular tuners. The Epiphone J-45 EC Studio's are Epiphone Premium Die Cast with Kidney Bean Metal Buttons while the Epiphone J-200 EC Studio Parlor's are Grover Mini Rotomatic; 18:1 ratio
Winner: Tie.
Here is the list of features that were considered when choosing the winner in the Features subcategory:
Epiphone J-45 EC Studio
- Expensive Wood
- Synthetic Bone Nut
- Top Brand Pickups
- Electronics
- Compensated Saddle
- Solid Top Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Epiphone J-200 EC Studio Parlor
- Expensive Wood
- Bone Nut
- Top Brand Pickups
- Electronics
- Bone Saddle
- Solid Top Wood
- Cheap Fret Wire (NS)
- No Locking Tuners
- Made in China
- Laminated Side Wood
- Laminated Back Wood
- No Compound Radius Fretboard
- No 21:1 Tuner Ratio
- No Strap Lock
Final Build Quality Scores
Playability Comparison
Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.
Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.
Nut Width
The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 43mm (1.693'').
This is within the most common range of nut widths for a 6-string guitar. It offers a good balance of string separation at the nut. It's the size that most guitarists prefer as it gives them just enough space to play open chords without muting the strings, but without spreading the strings too wide and making bar chords difficult to perform.
Scale Length
The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.
In this case, both have a scale length of 24.75".
This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.
On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.
Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.
Neck Profile
No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.
Both the Epiphone J-45 EC Studio and the Epiphone J-200 EC Studio Parlor have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.
Fretboard Radius
Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.
Both the Epiphone J-45 EC Studio and the Epiphone J-200 EC Studio Parlor have the same fretboard radius of 12". This is the radius used in most Gibson guitars. It gives you a good balance for playing chords without muting, but also good comfortability for playing single notes and bending.
Hand Size Comfortability
Everyone has a different hand size, and that's why it's recommended to try a guitar before buying, even if others tell you that it's comfortable to play. However, we can know whether a guitar favors small or large hands just by knowing its exact measurements.
After taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that both in this comparison favor small hands .
Epiphone J-45 EC Studio:
Epiphone J-200 EC Studio Parlor:
Fret Size
The Epiphone J-45 EC Studio has Medium Jumbo frets, which should be taller than the Epiphone J-200 EC Studio Parlor's Medium frets.
Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.
