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Epiphone Dave Rude Flying V
Fender Jim Adkins JA-90 Telecaster Thinline
VS
Playability
77
Sound
67
Build
60
Value
73
Score
68
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Playability
77
Sound
72
Build
65
Value
71
Score
71
FIND IT ON:
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Epiphone Dave Rude Flying V vs Fender Jim Adkins JA-90 Telecaster Thinline Specs Comparison
Epiphone Dave Rude Flying V Fender Jim Adkins JA-90 Telecaster Thinline
General
Brand: Epiphone Fender
Year: 2019 2020
Configuration: HH P90P90
Strings: 6 6
Made in: China Indonesia
Series: Artist Collection Artist
Colors: White White, Red, Natural
Left-Handed Version: No No
Body
Type: Solid Body Semi-Hollow
Body Material: Mahogany Semi-Hollow Ash
Bridge: LockTone ABR 6-Saddle Vintage-Style Adjusto-Matic with Anchored-Tailpiece
Neck
Neck Joint: Set Neck-Through
Tuners: Grover Rotomatic; 18:1 ratio Standard Cast/Sealed
Fretboard: Hard Maple Indian Laurel
Neck Material: Mahogany Maple
Decoration: White Pearloid Dot
Scale Size: 24.75" 24.75"
Shape: Slim Taper Modern C
Thickness: 1st Fret: 0.82'' (20.8mm) - 12th Fret: 0.92'' (23.4mm) 1st Fret: 0.82'' (20.8mm) - 12th Fret: 0.87'' (22.1mm)
Frets: 22 Medium Jumbo Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 9.5"
Nut: Ivory Tusq Synthetic Bone
Nut Width: 42.7mm (1.68'') 42mm (1.654'')
Electronics
Bridge Pickups: ProBucker 3 (Humbucker / Passive) Seymour Duncan SP90-3 Custom P-90 (Single Coil / Passive)
Middle Pickup:
Neck Pickup: ProBucker 2 (Humbucker / Passive) Seymour Duncan SP90-1N RWRP Vintage P-90 (Single Coil / Passive)
Switch: 3 Way 3 Way
Knobs: Speed Bell
Pickup Mods: Coil Split None
Volume Controls: 2 2
Tone Controls: 1 2
Hardware
Strap Lock: No No
Hardware Color: Chrome Chrome
Show Diagrams Comparison
Epiphone Dave Rude Flying V pickups switch and push knobs diagram
Epiphone Dave Rude Flying V's switch options
Fender Jim Adkins JA-90 Telecaster Thinline pickups switch and push knobs diagram
Fender Jim Adkins JA-90 Telecaster Thinline's switch options

Reasons to Get
Epiphone Dave Rude Flying V over Fender Jim Adkins JA-90 Telecaster Thinline

Pickup Mods
Coil Split vs None
Splits humbuckers into single coil pickups
Body Type
Solid Body vs Semi-Hollow
Feedback free
Pickups
HH vs P90P90
High output without hum
Neck Thickness at 12th Fret
0.92'' (23.4mm) vs 0.87'' (22.1mm)
More comfortable at higher frets for big hands
Nut Width
1.68'' (42.7mm) vs 1.654'' (42mm)
Less likely to mute strings by accident and more space for fingerstyle
Fretboard Radius
12'' (304.8mm) vs 9.5'' (241.3mm)
Flatter fretboard makes it easier to play single notes and bend
Value Score
73 vs 71
Better price/quality relationship

Reasons to Get
Fender Jim Adkins JA-90 Telecaster Thinline over Epiphone Dave Rude Flying V

Country of Manufacturing
Indonesia vs China
Built with higher quality standards
Release Year
2020 vs 2019
From a more recent year
Pickups Brand
Seymour Duncan vs None
Pickups from a renown brand
Neck Joint
Neck-Through vs Set
Stronger neck and easier access to upper frets
Body Type
Semi-Hollow vs Solid Body
Lighter and allows more gain than a hollowbody
Tone Knobs
2 vs 1
More tone control
Pickups
P90P90 vs HH
Vintage tone with decent versatility
Neck Thickness at 12th Fret
0.87'' (22.1mm) vs 0.92'' (23.4mm)
More comfortable at higher frets for small hands
Nut Width
1.654'' (42mm) vs 1.68'' (42.7mm)
Favors small hands, easier bar chords and other shapes
Fretboard Radius
9.5'' (241.3mm) vs 12'' (304.8mm)
Easier to play chords without muting strings

Other Key Differences
Epiphone Dave Rude Flying V vs Fender Jim Adkins JA-90 Telecaster Thinline

Bridge Pickup
ProBucker 3 vs Seymour Duncan SP90-3 Custom P-90
Different Bridge Pickup
Neck Pickup
ProBucker 2 vs Seymour Duncan SP90-1N RWRP Vintage P-90
Different Neck Pickup
Body Wood
Mahogany vs Ash
Different Body Wood
Neck Wood
Mahogany vs Maple
Different Neck Wood
Fretboard Wood
Maple vs Laurel
Different Fretboard Wood
Headstock
3-3 vs 6
Different Headstock
Nut Material
Ivory Tusq vs Synthetic Bone
Different Nut Material

Shared Features
Epiphone Dave Rude Flying V vs Fender Jim Adkins JA-90 Telecaster Thinline

Strings
6
Same playing style
Switch Positions
3
Same pickups versatility
Volume Knobs
2
Same volume control
Number of Frets
22
Same maximum octave
Neck Thickness at 1st Fret
0.82'' (20.8mm)
Same neck comfortability
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Scale Length
24.75'' (628.7mm)
Same string tension and fret separation
Pickups Power
Passive
Cleaner sound and no battery needed
Neck Profile Type
C
Comfortable neck that works for most people
Type of Frets
Medium Jumbo
You'll feel the fretboard when pressing down the strings

Common Strengths

  • High-Quality Nut
  • Expensive Wood

Common Weaknesses

  • Locking Tuners
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

Epiphone Dave Rude Flying V Prices

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    Hand Size Comfortability

    And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the Fender Jim Adkins JA-90 Telecaster Thinline favors large hands more than the Epiphone Dave Rude Flying V. But it's still more comfortable for people with small hands, as you can see in the score meter below.

    Epiphone Dave Rude Flying V:
    Big Hands
    Small Hands
    Fender Jim Adkins JA-90 Telecaster Thinline:
    Big Hands
    Small Hands

    Beginner Friendliness

    The Fender Jim Adkins JA-90 Telecaster Thinline meets 6 out of our 8 criteria items for beginner friendliness, while the Epiphone Dave Rude Flying V meets only 4. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

    New Player Friendliness

    Epiphone Dave Rude Flying V
    • Easy-to-use bridge
    • Tall frets
    • Narrow nut
    • Comfortable neck
    • Comfortable shape
    • Comfortable fretboard
    • Short scale
    • Locking tuners

    New Player Friendliness

    Fender Jim Adkins JA-90 Telecaster Thinline
    • Comfortable shape
    • Easy-to-use bridge
    • Comfortable fretboard
    • Tall frets
    • Narrow nut
    • Comfortable neck
    • Short scale
    • Locking tuners

    Sound Quality Comparison

    The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

    Woods Used in Both

    Maple wood pattern used for guitar building
    Maple

    Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

    Woods Used in the Epiphone Dave Rude Flying V

    Mahogany wood pattern used for guitar building
    Mahogany

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    Woods Used in the Fender Jim Adkins JA-90 Telecaster Thinline

    Laurel wood pattern used for guitar building
    Laurel
    Ash wood pattern used for guitar building
    Ash

    There are many types of Laurel, but East Indian is the most common for guitar building. Its color can vary from dark to light brown with black lines. Many people find its tonality similar to Rosewood, which favors the warmer frequencies. Find out more about Laurel.

    Ash is a type of wood that Fender used almost exclusively in the 50s, and it's still used by many brands. It's a dense wood with a light color that works well for a transparent, natural finish because of its beautiful patterns. In terms of sound, it's known for emphasizing the mid and high frequencies, but with strong low end. Find out more about Ash.

    Winner: Tie.

    Pickup Configuration

    The Epiphone Dave Rude Flying V has an HH configuration while the Fender Jim Adkins JA-90 Telecaster Thinline has P90P90 pickups.

    Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

    On the other hand, P90P90 gives you two P90s for a crunchy vintage tone. The tone sits somewhere in the middle between typical single-coils and humbuckers. They also produce less hum than single-coils, but they don't cancel it completely like humbuckers.

    Pickups Quality

    The Fender Jim Adkins JA-90 Telecaster Thinline pickups from a more specialized brand than the Epiphone Dave Rude Flying V. Its pickups should give you a fuller, richer sound, although it all depends on what type of music you're going to play. We recommend these pickups for Blues and similar genres.

    We found the same or similar pickups to the Fender Jim Adkins JA-90 Telecaster Thinline's online:

    Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

    Winner: Fender Jim Adkins JA-90 Telecaster Thinline.

    Versatility Comparison

    Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

    Switch Options

    Both are equal when it comes to the pickup switching option.

    Only the Epiphone Dave Rude Flying V comes with some kind of pickup modification: Coil Split.

    Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

    When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

    Winner: Epiphone Dave Rude Flying V.

    Final Sound Quality Scores

    Epiphone Dave Rude Flying V
    Pickups 60
    Sustain 75
    Versatility 61
    Tuning Stability 70
    Sound 67
    Fender Jim Adkins JA-90 Telecaster Thinline
    Pickups 100
    Sustain 65
    Versatility 53
    Tuning Stability 70
    Sound 72

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the Epiphone Dave Rude Flying V compares to the Fender Jim Adkins JA-90 Telecaster Thinline.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. The Epiphone Dave Rude Flying V is built in China while the Fender Jim Adkins JA-90 Telecaster Thinline is made in Indonesia.

    China has a bad reputation when it comes to building quality. However, times have changed and now respectable brands use China's cheap labor to build good instruments for a lower price. Don't discount a guitar only because it was built in China, but also expect more quality from countries like Korea.

    Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

    Winner: Fender Jim Adkins JA-90 Telecaster Thinline

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    The Epiphone Dave Rude Flying V has a Ivory Tusq nut. Ivory used to be considered the best material for guitar nuts due to its beauty, durability, and the rich harmonics and sustain you could get from a guitar with it. However, the way to obtain it is simply unethical. Enter TUSQ ivory nuts, which are made synthetically to imitate ivory. Technically, it's better than ivory because it is consistent piece-to-piece, while natural materials can vary a lot, even if they're made from the same.

    On the other hand, the Fender Jim Adkins JA-90 Telecaster Thinline comes with a Synthetic Bone nut. Bone is the best natural material for guitar nuts. However, its tonal properties can be inconsistent. That's the problem that synthetic bone fixes. This is much better than using a plastic nut because the nut is more slippery—which helps with tuning stability—, and it gives your open strings rich harmonics.

    Winner: Tie.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    Unfortunately, none of them come with stainless steel frets.

    Winner: Tie.

    Bridge

    The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

    Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

    Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

    Winner: Tie.

    Tuners

    Both come with regular tuners. The Epiphone Dave Rude Flying V's are Grover Rotomatic; 18:1 ratio while the Fender Jim Adkins JA-90 Telecaster Thinline's are Standard Cast/Sealed

    Winner: Tie.

    Neck Joint

    Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

    The Epiphone Dave Rude Flying V has a Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

    On the other hand, the Fender Jim Adkins JA-90 Telecaster Thinline comes with Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.

    Winner: Fender Jim Adkins JA-90 Telecaster Thinline.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    Epiphone Dave Rude Flying V
    • Expensive Wood
    • Ivory Tusq Nut
    • Coil Split Pickups
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Made in China
    • No Top Brand Pickups
    • No Neck-Through Build
    • No Weight Relief
    • No Luminescent Inlay
    • No Tremolo
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock
    Strengths & Weaknesses
    Fender Jim Adkins JA-90 Telecaster Thinline
    • Expensive Wood
    • Synthetic Bone Nut
    • Top Brand Pickups
    • Neck-Through Build
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • Made in Indonesia
    • No Push Knob or Extra Switch Option
    • No Luminescent Inlay
    • No Tremolo
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    Epiphone Dave Rude Flying V
    Quality of materials 66
    Features 55
    Quality Control 60
    Build Quality 60
    Fender Jim Adkins JA-90 Telecaster Thinline
    Quality of materials 56
    Features 65
    Quality Control 75
    Build Quality 65

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    Epiphone Dave Rude Flying V Nut Width
    Epiphone Dave Rude Flying V Nut Width
    Fender Jim Adkins JA-90 Telecaster Thinline Nut Width
    Fender Jim Adkins JA-90 Telecaster Thinline Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, the Epiphone Dave Rude Flying V has the wider nut with 42.7mm (1.68'') vs 42mm (1.654''). This is a 0.7mm (0.026'') difference

    This means that it will be more difficult to do bar chords on the Epiphone Dave Rude Flying V, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

    Scale Length

    Epiphone Dave Rude Flying V and Fender Jim Adkins JA-90 Telecaster Thinline's Scale Length
    Both have the same scale length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    In this case, both have a scale length of 24.75".

    This is the scale length that Gibson uses for most of its Les Paul guitars. It's a smaller scale than the typical Stratocaster's 25.5''. Short scale lengths like this make it easier to bend the strings, which is pretty important if you have a fixed bridge. They also have a shorter fret separation, which makes it easier to change position fast at the fretboard.

    On the other hand, a shorter scale like this one will make fret buzz more likely, which can affect you if you want to use thicker string gauges.

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    Epiphone Dave Rude Flying V Neck Profile
    Epiphone Dave Rude Flying V's neck profile
    Fender Jim Adkins JA-90 Telecaster Thinline Neck Profile
    Fender Jim Adkins JA-90 Telecaster Thinline's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    Both the Epiphone Dave Rude Flying V and the Fender Jim Adkins JA-90 Telecaster Thinline have a C-shaped neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    Epiphone Dave Rude Flying V Fingerboard Radius
    Epiphone Dave Rude Flying V's Fingerboard radius
    Fender Jim Adkins JA-90 Telecaster Thinline Fingerboard Radius
    Fender Jim Adkins JA-90 Telecaster Thinline's Fingerboard radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    In this case, the Fender Jim Adkins JA-90 Telecaster Thinline's fingerboard radius is smaller, which means it's more curved than the Epiphone Dave Rude Flying V's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the Epiphone Dave Rude Flying V.

    Fret Size

    Epiphone Dave Rude Flying V and Fender Jim Adkins JA-90 Telecaster Thinline Frets Size
    Both have a similar Medium Jumbo fret size

    Both have a Medium Jumbo fret size. These are slightly shorter than full Jumbo frets, so you'll still feel the fretboard when pressing down the strings. However, they interfere less with your fretting hand than medium-size frets. This is a good size if you like easy-to-press frets, but would still like to feel a bit of the fretboard when playing.

    Final Playability Scores

    Epiphone Dave Rude Flying V
    Bending & Vibrato Ease 85
    Chord Playability 75
    Solo Playability 70
    Playability 77
    Fender Jim Adkins JA-90 Telecaster Thinline
    Bending & Vibrato Ease 75
    Chord Playability 85
    Solo Playability 70
    Playability 77