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ESP LTD M-1000 Multi-Scale
Schecter Keith Merrow KM-6 Mk-III Hybrid
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Playability
82
Sound
80
Build
77
Value
80
Score
80
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Playability
82
Sound
74
Build
79
Value
78
Score
78
FIND IT ON:
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Show Full Spec Comparison
LTD M-1000 Multi-Scale vs Schecter Keith Merrow KM-6 Mk-III Hybrid Specs Comparison
LTD M-1000 Multi-Scale Schecter Keith Merrow KM-6 Mk-III Hybrid
General
Brand: ESP LTD Schecter
Year: 2020 2020
Configuration: HH HH
Strings: 6 6
Made in: Indonesia South Korea
Series: M Artist
Colors: Black White, Gray
Left-Handed Version: No No
Body
Type: Solid Body Solid Body
Body Material: Mahogany Mahogany
Bridge: Hipshot w/ String Thru Hipshot Hardtail w/ String Thru Body
Neck
Neck Joint: Bolt-On Neck-Through
Tuners: LTD Locking Schecter Locking
Fretboard: Macassar Ebony Maple
Neck Material: 5pc Maple/Purple Heart Maple 3-pc w/ Carbon Fiber Reinforcement Rods
Decoration: Offset Dots Offset/Reverse Aluminum Circles & Black Dots
Scale Size: 26.5" to 25.5" 25.5"
Shape: Thin U Ultra Thin C
Thickness: 1st Fret: 0.787'' (20mm) - 12th Fret: 0.866'' (22mm) 1st Fret: 0.748'' (19mm) - 12th Fret: 0.787'' (20mm)
Frets: 24 XL Jumbo Stainless Steel 24 XL Jumbo Stainless Steel
Fretboard Radius: 13.78" 12" to 16"
Nut: Bone Compensated
Nut Width: 42mm (1.654'') 42mm (1.654'')
Electronics
Bridge Pickups: Seymour Duncan Nazgul (Humbucker / Passive) Fishman Fluence Keith Merrow Humbucker (Humbucker / Active)
Middle Pickup:
Neck Pickup: Seymour Duncan Sentient (Humbucker / Passive) Fishman Fluence Keith Merrow Humbucker (Humbucker / Active)
Switch: 3 Way 3 Way
Knobs: Dome Dome
Pickup Mods: Coil Split None
Volume Controls: 1 1
Tone Controls: 1 0
Hardware
Strap Lock: No No
Hardware Color: Black Black
Show Diagrams Comparison
ESP LTD M-1000 Multi-Scale pickups switch and push knobs diagram
ESP LTD M-1000 Multi-Scale's switch options
Schecter Keith Merrow KM-6 Mk-III Hybrid pickups switch and push knobs diagram
Schecter Keith Merrow KM-6 Mk-III Hybrid's switch options

Reasons to Get
LTD M-1000 Multi-Scale over Schecter Keith Merrow KM-6 Mk-III Hybrid

Decorative Top
Flamed Maple vs None
Finished with beautiful natural wood patterns
Scale Length
26.5" to 25.5" vs 25.5"
Less fret buzz with less string stiffness
Neck Profile
Thin U vs Ultra Thin C
Comfortable neck with more grip
Pickup Mods
Coil Split vs None
Splits humbuckers into single coil pickups
Tone Knobs
1 vs 0
More tone control
Neck Thickness at 1st Fret
0.787'' (20mm) vs 0.748'' (19mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.866'' (22mm) vs 0.787'' (20mm)
More comfortable at higher frets for big hands
Avg. Weight
6.4lbs (2.9kgs) vs 6.5lbs (2.9kgs)
Tends to be lighter
Pickups Power
Passive vs Active
Cleaner sound and no battery needed
Value Score
80 vs 78
Better price/quality relationship

Reasons to Get
Schecter Keith Merrow KM-6 Mk-III Hybrid over ESP LTD M-1000 Multi-Scale

Scale Length
25.5" vs 26.5" to 25.5"
Easier to adapt to
Compound Radius
12" to 16" vs 13.78"
Balanced playability for chords and single-notes
Neck Profile
Ultra Thin C vs Thin U
Comfortable neck that works for most people
Neck Joint
Neck-Through vs Bolt-On
Stronger neck and easier access to upper frets
Neck Thickness at 1st Fret
0.748'' (19mm) vs 0.787'' (20mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.787'' (20mm) vs 0.866'' (22mm)
More comfortable at higher frets for small hands
Luminescent Sidedots
Yes vs None
Assists you when playing in dark environments
Pickups Power
Active vs Passive
More output

Other Key Differences
LTD M-1000 Multi-Scale vs Schecter Keith Merrow KM-6 Mk-III Hybrid

Bridge Pickup
Seymour Duncan Nazgul vs Fishman Fluence Keith Merrow Humbucker
Different Bridge Pickup
Neck Pickup
Seymour Duncan Sentient vs Fishman Fluence Keith Merrow Humbucker
Different Neck Pickup
Fretboard Wood
Ebony vs Maple
Different Fretboard Wood
Headstock
6 vs 3-3
Different Headstock
Nut Material
Bone vs Compensated
Different Nut Material

Shared Features
LTD M-1000 Multi-Scale vs Schecter Keith Merrow KM-6 Mk-III Hybrid

Body Wood
Mahogany
Same Body Wood
Neck Wood
Maple
Same Neck Wood
Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Volume Knobs
1
Same volume control
Pickups
HH
High output without hum
Number of Frets
24
Same maximum octave
Nut Width
1.654'' (42mm)
Same string separation at the nut
Paint Finish
Poly
Resistant paint that ages well
Bridge
Fixed
Good sustain and needs no set-up
Type of Frets
XL Jumbo
You won't feel the fretboard when pressing down the strings

Common Strengths

  • Locking Tuners
  • High-Quality Nut
  • High-Quality Frets
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • From a High-Quality-Standards Country
  • Strap Lock
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

SET PRICE ALERT

Schecter Keith Merrow KM-6 Mk-III Hybrid Prices

SET PRICE ALERT

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Hand Size Comfortability

And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the ESP LTD M-1000 Multi-Scale favors large hands more than the Schecter Keith Merrow KM-6 Mk-III Hybrid. But it's still more comfortable for people with small hands, as you can see in the score meter below.

ESP LTD M-1000 Multi-Scale:
Big Hands
Small Hands
Schecter Keith Merrow KM-6 Mk-III Hybrid:
Big Hands
Small Hands

Beginner Friendliness

The Schecter Keith Merrow KM-6 Mk-III Hybrid meets 7 out of our 8 criteria items for beginner friendliness, while the ESP LTD M-1000 Multi-Scale meets only 6. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players.

New Player Friendliness

ESP LTD M-1000 Multi-Scale
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Comfortable fretboard
  • Short scale

New Player Friendliness

Schecter Keith Merrow KM-6 Mk-III Hybrid
  • Comfortable shape
  • Easy-to-use bridge
  • Locking tuners
  • Comfortable fretboard
  • Tall frets
  • Narrow nut
  • Comfortable neck
  • Short scale

Sound Quality Comparison

The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

Woods Used in Both

Maple wood pattern used for guitar building
Maple
Mahogany wood pattern used for guitar building
Mahogany

Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

Woods Used in the ESP LTD M-1000 Multi-Scale

Ebony wood pattern used for guitar building
Ebony

Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

Winner: ESP LTD M-1000 Multi-Scale.

Pickup Configuration

Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

Pickups Quality

Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

You can purchase similar pickups to the ESP LTD M-1000 Multi-Scale's and use them on any guitar:

The ESP LTD M-1000 Multi-Scale's pickups are Passive while the Schecter Keith Merrow KM-6 Mk-III Hybrid's are Active.

Passive pickups are what most guitars use. These have a normal output that works well for most genres. However, Active pickups are the preferred choice of heavy metal players because they offer extra output thanks to their 9v battery, which results in a heavier, more distorted sound. Bear in mind that achieving a completely clean tone with them won't be easy. So if you want to also use clean tones, you might want to avoid Active pickups.

Winner: Tie.

Versatility Comparison

Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

Switch Options

Both are equal when it comes to the pickup switching option.

Only the ESP LTD M-1000 Multi-Scale comes with some kind of pickup modification: Coil Split.

Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

Winner: ESP LTD M-1000 Multi-Scale.

Final Sound Quality Scores

ESP LTD M-1000 Multi-Scale
Pickups 85
Sustain 85
Versatility 69
Tuning Stability 80
Sound 80
Schecter Keith Merrow KM-6 Mk-III Hybrid
Pickups 85
Sustain 85
Versatility 47
Tuning Stability 80
Sound 74

Build Quality Comparison

When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the ESP LTD M-1000 Multi-Scale compares to the Schecter Keith Merrow KM-6 Mk-III Hybrid.

Country of Origin

The manufacturing country can tell a lot about the build quality of an instrument. The ESP LTD M-1000 Multi-Scale is built in Indonesia while the Schecter Keith Merrow KM-6 Mk-III Hybrid is made in South Korea.

Indonesia is becoming the most popular country for guitar building because they can make good instruments for a low price. Some people think that they're 'the new China' when it comes to build quality. But the truth is that Indonesian guitars are more consistent, although Chinese quality has improved a lot in the last few years.

South Korea was for many years the number one choice for mass-producing semi-premium guitars. They can build excellent guitars for a cheap price. Now, it's less common to find Korean guitars because Indonesia has proved capable of building guitars just as well, but likely for cheaper.

Winner: Tie

Nut Material

If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

The ESP LTD M-1000 Multi-Scale has a Bone nut. It's a type of nut found in high-quality instruments. They sound similar to Ivory since they give a lot of sustain and a bright sound (at least when striking open strings). The only problem they can run into is that you may get a bone piece that simply doesn't sound as well as others because that's just how natural materials are.

On the other hand, the Schecter Keith Merrow KM-6 Mk-III Hybrid comes with a Compensated nut. Each hole where the string sits at the nut is cut at a different distance from the bridge, which compensates for the different amount of tension that each string is subject to. This fixes most intonation issues across the fretboard, so it gives great tuning stability.

Winner: Tie.

Fret Material

Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

Both in this comparison come with stainless steel frets. These frets will basically last for the entire life of the guitar. They will never need polishing nor replacement. And not only that, but some people also notice that bending and vibratos are much easier to perform when they upgrade to stainless steel.

Winner: Tie.

Bridge

The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

Both come with a similar bridge: Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

Winner: Tie.

Tuners

They both have locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

Winner: Tie.

Neck Joint

Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

The ESP LTD M-1000 Multi-Scale has a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

On the other hand, the Schecter Keith Merrow KM-6 Mk-III Hybrid comes with Neck-Through neck joint. This neck is a lot more resistant and lets builders give the neck joint a more comfortable shape for soloing at the upper frets. The disadvantage is that they're more expensive and that if you damage your neck, you can't simply replace it like with bolt-on necks.

Winner: Schecter Keith Merrow KM-6 Mk-III Hybrid.

Here is the list of features that were considered when choosing the winner in the Features subcategory:

Strengths & Weaknesses
ESP LTD M-1000 Multi-Scale
  • Stainless Steel Frets
  • Locking Tuners
  • Expensive Wood
  • Bone Nut
  • Top Brand Pickups
  • Coil Split Pickups
  • Made in Indonesia
  • No Neck-Through Build
  • No Weight Relief
  • No Luminescent Inlay
  • No Tremolo
  • No Compound Radius Fretboard
  • No 21:1 Tuner Ratio
  • No Strap Lock
Strengths & Weaknesses
Schecter Keith Merrow KM-6 Mk-III Hybrid
  • Stainless Steel Frets
  • Locking Tuners
  • Expensive Wood
  • Compensated Nut
  • Top Brand Pickups
  • Neck-Through Build
  • Luminescent Inlay
  • Compound Radius Fretboard
  • Made in South Korea
  • No Push Knob or Extra Switch Option
  • No Weight Relief
  • No Tremolo
  • No 21:1 Tuner Ratio
  • No Strap Lock

Final Build Quality Scores

ESP LTD M-1000 Multi-Scale
Quality of materials 85
Features 70
Quality Control 75
Build Quality 77
Schecter Keith Merrow KM-6 Mk-III Hybrid
Quality of materials 76
Features 85
Quality Control 75
Build Quality 79

Playability Comparison

Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

Nut Width

ESP LTD M-1000 Multi-Scale Nut Width
Both Guitars Have The Same Nut Width

The nut width will affect the separation between strings at the nut. In this comparison, both have a nut width of 42mm (1.654'').

This is considered a narrow width for a 6-string guitar. This means that this guitar will have a narrower string separation at the nut, which will affect your fretting hand.

If you are a player with big hands, you might find it difficult to play chords without muting strings. However, this is good for players who have smaller hands, as it will allow them to reach each string more easily at the nut.

Scale Length

ESP LTD M-1000 Multi-Scale's Scale Length
ESP LTD M-1000 Multi-Scale's Scale Length
Schecter Keith Merrow KM-6 Mk-III Hybrid's Scale Length
Schecter Keith Merrow KM-6 Mk-III Hybrid's Scale Length

The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

In this case, the ESP LTD M-1000 Multi-Scale features a multi-scale of 26.5" to 25.5" while the Schecter Keith Merrow KM-6 Mk-III Hybrid has a regular scale of 25.5".

A multi-scale fingerboard incorporates two scale lengths at the same time. This is present in some instruments with long scale to give a different tension to the lower strings than the higher strings. The thickest strings need more tension to avoid fret buzz (especially when tuned low), so the scale is longer for these strings, while the thinnest strings will need less tension (because they have a lower gauge), so they have a shorter scale to reduce stiffness for bends.

It can feel awkward if you've never played a multi-scale because the frets will have more separation for the higher strings, but a lot of people love their versatility.

On the other hand, the Schecter Keith Merrow KM-6 Mk-III Hybrid's 25.5" regular scale means it has a fixed scale for all the strings.This is the scale used in most Stratocasters. It's slightly longer than the typical 24.75'' size found in Les Pauls, and it's one of the main reasons why Stratocasters have such a bright sound in general. A longer scale also means that the strings will have higher tension. This will help you get lower action without suffering fret buzz, which will also be helpful when playing in lower tunings without having to increase your string gauge.

However, this also means that there will be more separation between frets, which can make it more difficult to play. Also, bending the strings will require more strengths due to the increased tension, but remember that a tremolo guitar will offset this difficulty.

Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

Neck Profile

ESP LTD M-1000 Multi-Scale Neck Profile
ESP LTD M-1000 Multi-Scale's neck profile
Schecter Keith Merrow KM-6 Mk-III Hybrid Neck Profile
Schecter Keith Merrow KM-6 Mk-III Hybrid's neck profile

No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

In this case, both have different neck shapes:

The ESP LTD M-1000 Multi-Scale has a U type of neck. This is also referred to as ''baseball neck'' because of its shape. It's usually thick, which is why some people with big hands like it. However, they can also be thin, similar to a C shape, but with more shoulders for a better grip.

The Schecter Keith Merrow KM-6 Mk-III Hybrid, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

Fretboard Radius

ESP LTD M-1000 Multi-Scale Fingerboard Radius
ESP LTD M-1000 Multi-Scale's Fingerboard radius
Schecter Keith Merrow KM-6 Mk-III Hybrid Fretboard Compound Radius
Schecter Keith Merrow KM-6 Mk-III Hybrid's Compound Fretboard Radius

Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

In this case, the Schecter Keith Merrow KM-6 Mk-III Hybrid is the only one with a compound radius. This is a huge win because it will give you the best of both worlds: a more curved radius in the first few frets for chords, and flatter as you come closer to the body for soloing.

Fret Size

ESP LTD M-1000 Multi-Scale and Schecter Keith Merrow KM-6 Mk-III Hybrid Frets Size
Both have a similar XL Jumbo fret size

Both have a XL Jumbo fret size. These are really tall frets made like this so you don't meet any resistance when playing techniques like vibrato, bending, tapping, etc. They should make the guitar easier to play, but you have to be careful not to get the notes out of pitch by pressing down too hard, which might happen since the fretboard will be too low to stop your hand.

Final Playability Scores

ESP LTD M-1000 Multi-Scale
Bending & Vibrato Ease 90
Chord Playability 75
Solo Playability 80
Playability 82
Schecter Keith Merrow KM-6 Mk-III Hybrid
Bending & Vibrato Ease 75
Chord Playability 70
Solo Playability 100
Playability 82