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ESP E-II SN-2
PRS S2 McCarty 594 Thinline
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Playability
77
Sound
82
Build
78
Value
64
Score
79
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Playability
75
Sound
73
Build
64
Value
66
Score
71
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E-II SN-2 vs PRS S2 McCarty 594 Thinline Specs Comparison
E-II SN-2 PRS S2 McCarty 594 Thinline
General
Brand: ESP E-II PRS
Year: 2021 2020
Configuration: HH HH
Strings: 6 6
Made in: Japan United States
Series: SN S2
Colors: Blue, Black Burst White, Black, Blue, Green, Brown Burst, Red
Left-Handed Version: Yes No
Body
Type: Solid Body Solid Body
Body Material: Alder Mahogany
Bridge: Floyd Rose Original SE PRS Two-Piece
Neck
Neck Joint: Bolt-On Set
Tuners: Gotoh Locking Vintage-Style
Fretboard: Ebony Rosewood w/ Faux Bone Binding
Neck Material: Maple Mahogany
Decoration: Dots Birds
Scale Size: 25.5" 24.6"
Shape: Thin U Pattern Thin
Thickness: 1st Fret: 0.787'' (20mm) - 12th Fret: 0.866'' (22mm) 1st Fret: 0.83'' (21.1mm) - 12th Fret: 0.9'' (22.9mm)
Frets: 24 XL Jumbo Nickel Silver 22 Medium Jumbo Nickel Silver
Fretboard Radius: 12" 10"
Nut: Locking PRS Propietary
Nut Width: 42mm (1.654'') 42.9mm (1.688'')
Electronics
Bridge Pickups: Bare Knuckle Aftermath (Humbucker / Passive) PRS 58/15 S (Humbucker / Passive)
Middle Pickup:
Neck Pickup: Bare Knuckle Aftermath (Humbucker / Passive) PRS 58/15 S (Humbucker / Passive)
Switch: 3 Way 3 Way
Knobs: Dome Speed
Pickup Mods: None Coil Split
Volume Controls: 1 2
Tone Controls: 1 2
Hardware
Strap Lock: Yes No
Hardware Color: Black Nickel
Show Diagrams Comparison
ESP E-II SN-2 pickups switch and push knobs diagram
ESP E-II SN-2's switch options
PRS S2 McCarty 594 Thinline pickups switch and push knobs diagram
PRS S2 McCarty 594 Thinline's switch options

Reasons to Get
E-II SN-2 over PRS S2 McCarty 594 Thinline

Decorative Top
Buckeye Burl Maple vs None
Finished with beautiful natural wood patterns
Release Year
2021 vs 2020
From a more recent year
Frets Height
Taller vs Shorter
Easier to press down strings and bend them
Type of Frets
XL Jumbo vs Medium Jumbo
You won't feel the fretboard when pressing down the strings
Neck Profile
Thin U vs Pattern Thin
Comfortable neck with more grip
Neck Joint
Bolt-On vs Set
Allows you to detach and swap the neck
Number of Frets
24 vs 22
Allows to reach higher notes
Locking Tuners
Yes vs None
Easier to change strings
Neck Thickness at 1st Fret
0.787'' (20mm) vs 0.83'' (21.1mm)
More comfortable open chords for small hands
Neck Thickness at 12th Fret
0.866'' (22mm) vs 0.9'' (22.9mm)
More comfortable at higher frets for small hands
Nut Width
1.654'' (42mm) vs 1.688'' (42.9mm)
Favors small hands, easier bar chords and other shapes
Strap Lock
Yes vs None
Protects your guitar from dropping by locking the strap
Bridge
Floyd Rose vs Fixed
Allows intense vibratos and techniques like Dive Bombs
Scale Length
25.5'' (647.7mm) vs 24.6'' (624.8mm)
Lower action and brighter natural tone
Fretboard Radius
12'' (304.8mm) vs 10'' (254mm)
Flatter fretboard makes it easier to play single notes and bend

Reasons to Get
PRS S2 McCarty 594 Thinline over ESP E-II SN-2

Type of Frets
Medium Jumbo vs XL Jumbo
You'll feel the fretboard when pressing down the strings
Neck Profile
Pattern Thin vs Thin U
Comfortable neck that works for most people
Pickup Mods
Coil Split vs None
Splits humbuckers into single coil pickups
Volume Knobs
2 vs 1
More volume control
Tone Knobs
2 vs 1
More tone control
Neck Thickness at 1st Fret
0.83'' (21.1mm) vs 0.787'' (20mm)
More comfortable open chords for big hands
Neck Thickness at 12th Fret
0.9'' (22.9mm) vs 0.866'' (22mm)
More comfortable at higher frets for big hands
Nut Width
1.688'' (42.9mm) vs 1.654'' (42mm)
Less likely to mute strings by accident and more space for fingerstyle
Bridge
Fixed vs Floyd Rose
Good sustain and needs no set-up
Scale Length
24.6'' (624.8mm) vs 25.5'' (647.7mm)
Easier bending, shorter fret separation and warmer natural tone
Fretboard Radius
10'' (254mm) vs 12'' (304.8mm)
Easier to play chords without muting strings
Value Score
66 vs 64
Better price/quality relationship

Other Key Differences
E-II SN-2 vs PRS S2 McCarty 594 Thinline

Bridge Pickup
Bare Knuckle Aftermath vs PRS 58/15 S
Different Bridge Pickup
Neck Pickup
Bare Knuckle Aftermath vs PRS 58/15 S
Different Neck Pickup
Body Wood
Alder vs Mahogany
Different Body Wood
Neck Wood
Maple vs Mahogany
Different Neck Wood
Fretboard Wood
Ebony vs Rosewood
Different Fretboard Wood
Headstock
6 vs 3-3
Different Headstock
Nut Material
Locking vs PRS Propietary
Different Nut Material

Shared Features
E-II SN-2 vs PRS S2 McCarty 594 Thinline

Strings
6
Same playing style
Body Type
Solid Body
Feedback free
Switch Positions
3
Same pickups versatility
Pickups
HH
High output without hum
Paint Finish
Poly
Resistant paint that ages well
Pickups Power
Passive
Cleaner sound and no battery needed

Common Strengths

  • High-Quality Nut
  • From a High-Quality-Standards Country
  • Top Pickup Brand
  • Expensive Wood

Common Weaknesses

  • Weight Relief
  • Stays in Tune (Evertune)
  • High-Quality Frets
  • Compound Radius Fretboard
  • Luminescent Sidedots
  • 21:1 Tuner Ratio
  • Active/Passive Preamp

Price History Comparison

SET PRICE ALERT

PRS S2 McCarty 594 Thinline Prices

    SET PRICE ALERT

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    Hand Size Comfortability

    And after taking into account the scale length, nut width, neck profile and fretboard radius, we can conclude that the PRS S2 McCarty 594 Thinline favors large hands more than the ESP E-II SN-2.

    ESP E-II SN-2:
    Big Hands
    Small Hands
    PRS S2 McCarty 594 Thinline:
    Big Hands
    Small Hands

    Beginner Friendliness

    Both meet 5 out of our 8 criteria items for beginner friendliness. This takes into account the type of frets, scale length, nut width, bridge type, fretboard radius, and neck profile to determine the easiest combination for new players. If you're looking for your first guitar to learn how to play, you can't go wrong with either of them.

    New Player Friendliness

    ESP E-II SN-2
    • Comfortable shape
    • Locking tuners
    • Tall frets
    • Narrow nut
    • Comfortable neck
    • Comfortable fretboard
    • Short scale
    • Easy-to-use bridge

    New Player Friendliness

    PRS S2 McCarty 594 Thinline
    • Comfortable shape
    • Easy-to-use bridge
    • Tall frets
    • Short scale
    • Comfortable neck
    • Comfortable fretboard
    • Narrow nut
    • Locking tuners

    Sound Quality Comparison

    The wood used in an electric guitar or bass is not as important to determine the final tone. However, some people prefer specific wood types, so we'll take a look at those first. Then, we'll take a look at the electronics to determine the versatility and sound quality of each instrument.

    Woods Used in the ESP E-II SN-2

    Maple wood pattern used for guitar building
    Maple
    Ebony wood pattern used for guitar building
    Ebony
    Alder wood pattern used for guitar building
    Alder

    Maple is one of the most popular necks for good reasons. It is a strong wood that is relatively cheap to make and looks beautiful. The highest quality maple is the hardest that comes from North America. Find out more about Maple.

    Ebony is a high-end wood, so it is not cheap. It's only used for fretboards because it's also very heavy. It does an excellent job as a durable material while looking elegant. Find out more about Ebony.

    Alder is the most popular wood that Fender uses in most of their guitars nowadays. Even though they say it's because of its balanced tone with an emphasis in the upper midrange, it probably is because it isn't too expensive, and it's also pretty lightweight—more than Mahogany. Find out more about Alder.

    Woods Used in the PRS S2 McCarty 594 Thinline

    Mahogany wood pattern used for guitar building
    Mahogany
    Rosewood wood pattern used for guitar building
    Rosewood

    Mahogany is a fairly rare wood nowadays. It's used mostly for bodies due to its relatively lightweight. Gibson popularized it with their Les Paul guitars during their golden years, so this wood has a lot of good reputation behind it. The most expensive type comes from South America and it's still used by Gibson even today. Find out more about Mahogany.

    Rosewood is an almost purple-looking wood that is used mainly for fretboards since it's heavy, rare, and expensive. It's sometimes used on acoustic guitar bodies to create stronger warm tones. Find out more about Rosewood.

    Winner: PRS S2 McCarty 594 Thinline.

    Pickup Configuration

    Both pickup configurations are HH. Double Humbucker (HH) is the choice for people who want a fuller, more round sound with tons of mids and lows. Humbuckers also get rid of the hum noise that plague single-coil pickups. They can work out for almost any genre going from Djent to even Jazz.

    Pickups Quality

    Both come with very good pickups from at least one of the specialized brands in the market. With pickups like these, you probably won't need an upgrade anytime soon.

    However, the PRS S2 McCarty 594 Thinline has a slight sound quality advantage when taking into account other factors like the type of pickups, magnet, position, etc.

    Both use Passive pickups. This is what's used for most music genres. They have a regular output and will serve you for both high-gain and clean tones. The alternative (Active pickups) offer a higher output that is mostly used for heavy music.

    Winner: PRS S2 McCarty 594 Thinline.

    Versatility Comparison

    Some instruments offer you more ways to explore your creativity than others. Below you'll find how both compare when it comes to versatility.

    Switch Options

    Both are equal when it comes to the pickup switching option.

    Only the PRS S2 McCarty 594 Thinline comes with some kind of pickup modification: Coil Split.

    Coil Split lets you disconnect one of the pickup coils. When used with humbuckers, it turns them into single-coil with lower output and cleaner tone.

    When evaluating versatility, we also take into consideration bridge and neck joint type, number of frets, switch options, amount of pickups and more.

    Winner: ESP E-II SN-2.

    Final Sound Quality Scores

    ESP E-II SN-2
    Pickups 85
    Sustain 80
    Versatility 69
    Tuning Stability 95
    Sound 82
    PRS S2 McCarty 594 Thinline
    Pickups 90
    Sustain 70
    Versatility 63
    Tuning Stability 70
    Sound 73

    Build Quality Comparison

    When it comes to build quality, we like to take into account everything used to build the instrument. This includes materials, hardware and the quality control expected depending on the country where it was built. Let's see how the ESP E-II SN-2 compares to the PRS S2 McCarty 594 Thinline.

    Country of Origin

    The manufacturing country can tell a lot about the build quality of an instrument. The ESP E-II SN-2 is built in Japan while the PRS S2 McCarty 594 Thinline is made in United States.

    Japan has a long history of high-quality guitar building. Little has changed in terms of their manufacturing and quality control over the years. Many guitars made in this country can be compared—and even beat—others made in the US.

    The United States is considered one of the best electric guitar manufacturers in the world. A guitar made in this country is supposed to have world-class quality control. Nowadays, guitars made in other countries can beat some of the ones made in the US, but most of the time, this country offers the best you can get. Of course, that comes at a price.

    Winner: Tie

    Nut Material

    If you want your guitar to stay in tune and sound good, you need a well cut nut. Nut quality can be inconsistent even when comparing two copies of the same model. The best way to make sure you're nut will be well done is by getting a nut made by an expert company like TUSQ or Micarta.

    The ESP E-II SN-2 has a Locking nut. Instead of a regular nut, this guitar has a locking system that will lock down the strings at the nut, preventing it from getting out of tune. It removes one of the disadvantages of tremolo bridges, tune stability.

    On the other hand, the PRS S2 McCarty 594 Thinline comes with a PRS Propietary nut. It's similar to TUSQ nuts, but they're not as hard, and the tone is not as bright. However, the material is self-lubricating, and it's usually well cut, so they have good tuning stability.

    Winner: Tie.

    Fret Material

    Most fret wire is made of nickel silver. This material eventually wears down after a lot of use and most instruments end up needing a complete fret replacement. However, some expensive models come with stainless steel frets. This is what you should aim for if you can afford it.

    Unfortunately, none of them come with stainless steel frets.

    Winner: Tie.

    Bridge

    The perfect bridge for you will depend on your playstyle because they all have advantages and disadvantages. However, some bridges are more expensive—like Floyd Roses and Evertunes—and thus add more value to a guitar.

    The ESP E-II SN-2's brige is a Floyd Rose. This is a double-locking bridge system that allows you to perform techniques like dive bombs and pinch harmonics. The locking nut allows your guitar to stay in tune even after the most intense tremolo usage. The disadvantage is that it takes more work to change the strings and set up everything correctly.

    On the other hand, the PRS S2 McCarty 594 Thinline's is a Fixed. It's a simple bridge that is very beginner-friendly since it doesn't require any set-up. You can swap strings easily. It might also give more sustain since it doesn't have complex moving parts that make the strings lose vibration. However, it doesn't have the same versatility as a tremolo bridge.

    Since we need to be objective, the most expensive type of bridge will be the winner of this section. In the end, this doesn't matter if you're not going to use the bridge for its original purpose, so choose the bridge that fits your playing style better.

    Winner: ESP E-II SN-2.

    Tuners

    The ESP E-II SN-2 has the best tuners of the two because they are locking tuners. They'll help to keep your guitar in tune because they allow you to tune it without wrapping the strings around the posts. This avoids variations in the tuning due to the strings changing position at the post after a bend. They come at the disadvantage of being slightly heavier than regular tuners. Also, it makes it a lot easier to restring.

    Nevertheless, the ESP E-II SN-2 has a locking nut, so it should have even better tune stability and doesn't need locking tuners.

    Winner: ESP E-II SN-2.

    Neck Joint

    Contrary to popular belief, the difference in sustain and tone that some neck joints give to a guitar is simply unperceivable—if they're all well built. However, some of them do have advantages over the others.

    The ESP E-II SN-2 has a Bolt-On neck joint. This neck is joined to the body by 4 bolts that you can simply unscrew. This allows you to replace the neck or take it off for travel. It's the most common and cheapest way to build a guitar.

    On the other hand, the PRS S2 McCarty 594 Thinline comes with Set neck joint. This neck is tightly glued to the body. They give you the least versatility because you can't swap them for a neck that fits your hand better if you want to, unlike bolt-on necks. Some people think this gives more resonance and sustain, but there's no real difference if the bolt-on joint is well built.

    Winner: ESP E-II SN-2.

    Here is the list of features that were considered when choosing the winner in the Features subcategory:

    Strengths & Weaknesses
    ESP E-II SN-2
    • Locking Tuners
    • Made in Japan
    • Expensive Wood
    • Locking Nut
    • Top Brand Pickups
    • Tremolo
    • Retainer Bar
    • Strap Lock
    • Cheap Fret Wire (NS)
    • No Neck-Through Build
    • No Push Knob or Extra Switch Option
    • No Weight Relief
    • No Luminescent Inlay
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    Strengths & Weaknesses
    PRS S2 McCarty 594 Thinline
    • Made in United States
    • Expensive Wood
    • PRS Propietary Nut
    • Top Brand Pickups
    • Coil Split Pickups
    • Cheap Fret Wire (NS)
    • No Locking Tuners
    • No Neck-Through Build
    • No Weight Relief
    • No Luminescent Inlay
    • No Tremolo
    • No Compound Radius Fretboard
    • No 21:1 Tuner Ratio
    • No Strap Lock

    Final Build Quality Scores

    ESP E-II SN-2
    Quality of materials 55
    Features 80
    Quality Control 100
    Build Quality 78
    PRS S2 McCarty 594 Thinline
    Quality of materials 46
    Features 55
    Quality Control 90
    Build Quality 64

    Playability Comparison

    Let's now compare their playability. Bear in mind that the instrument will feel different depending on your hand size and play style. That's why you should always test before buying. But if you can't or want a second opinion on it, we can still take a look at each of the important measurements of the instrument for you. This way, we can predict how easy a guitar might be to play, or how different it will feel compared to the other.

    Remember that, even though the difference might seem small, every inch counts when it comes to feeling of the instrument in your hands. Any variation can completely change how comfortable a guitar feels in your hands.

    Nut Width

    ESP E-II SN-2 Nut Width
    ESP E-II SN-2 Nut Width
    PRS S2 McCarty 594 Thinline Nut Width
    PRS S2 McCarty 594 Thinline Nut Width

    The nut width will affect the separation between strings at the nut. In this comparison, the PRS S2 McCarty 594 Thinline has the wider nut with 42.9mm (1.688'') vs 42mm (1.654''). This is a 0.9mm (0.034'') difference

    This means that it will be more difficult to do bar chords on the PRS S2 McCarty 594 Thinline, especially closer to the nut. However, it's also easier to play without muting strings accidently. This favors people with big hands.

    Scale Length

    ESP E-II SN-2's Scale Length
    ESP E-II SN-2's Scale Length
    PRS S2 McCarty 594 Thinline's Scale Length
    PRS S2 McCarty 594 Thinline's Scale Length

    The scale length is one of the things that influences playability the most. This is the distance between the nut and the bridge and will affect everything from low action allowance, difficulty to perform bends, fret separation, and even tone.

    The ESP E-II SN-2 has the longest scale: 25.5". The PRS S2 McCarty 594 Thinline is only 24.6" long. This is a 0.9'' (22.9mm) scale length difference.

    This longer scale means that the strings need more tension to get in tune. This is good if you want to avoid fret buzz, which can happen when the strings are too loose and touch the frets while vibrating. This is especially important when playing in lower tunings. This will also let you reduce the gap between fretboard and strings (low action) to make them easier to press down. However, this higher tension will also make it harder to perform bends and vibratos as the strings will feel stiffer.

    This also means that the frets have a longer separation between each other, so this will make it harder for people with smaller hands when playing some chord positions.

    Another characteristic of a longer scale is that it makes the guitar sound 'snappier' or brighter. This is due to the extra separation between harmonics and overtones produced by the tension. This influences tone more than any other factor (except the pickups).

    Lastly, remember that you can also affect the tension of the strings by changing your string gauge. You can use a thicker gauge for more tension and a lighter one for less tension.

    Neck Profile

    ESP E-II SN-2 Neck Profile
    ESP E-II SN-2's neck profile
    PRS S2 McCarty 594 Thinline Neck Profile
    PRS S2 McCarty 594 Thinline's neck profile

    No single neck shape is better than others. However, most people tend to prefer a thinner necks because it doesn't get in their way when playing fast and most hand sizes can adapt to it pretty well. However, some people still prefer thicker necks for a better grip, especially if they have big hands.

    In this case, both have different neck shapes:

    The ESP E-II SN-2 has a U type of neck. This is also referred to as ''baseball neck'' because of its shape. It's usually thick, which is why some people with big hands like it. However, they can also be thin, similar to a C shape, but with more shoulders for a better grip.

    The PRS S2 McCarty 594 Thinline, on the other hand, has a C neck. This is what you'll find in most modern guitars. Most people feel like the thickness of a C neck is simply the less intrusive one for playing fast, while at the same time allowing you to grab the neck easily for resting if you want to.

    Fretboard Radius

    ESP E-II SN-2 Fingerboard Radius
    ESP E-II SN-2's Fingerboard radius
    PRS S2 McCarty 594 Thinline Fingerboard Radius
    PRS S2 McCarty 594 Thinline's Fingerboard radius

    Most guitar fretboards are not flat; they usually have a curve or arc across their width. A curved fretboard will make it easier to perform chords without muting strings, while a flatter one will make it easier to play single notes, which is good for bending and soloing in general. The best fretboards have a compound radius that varies across the fingerboard, but they're not common since they take a lot more work to build.

    In this case, the PRS S2 McCarty 594 Thinline's fingerboard radius is smaller, which means it's more curved than the ESP E-II SN-2's. This extra arc will make playing chords easier in this model. You won't be as likely to mute the strings, especially if you have big hands. However, playing single notes and bending will be easier on the ESP E-II SN-2.

    Fret Size

    ESP E-II SN-2 Frets Size
    ESP E-II SN-2's Frets Size
    PRS S2 McCarty 594 Thinline Frets Size
    PRS S2 McCarty 594 Thinline's Frets Size

    The ESP E-II SN-2 has XL Jumbo frets, which should be taller than the PRS S2 McCarty 594 Thinline's Medium Jumbo frets.

    Some people prefer taller frets because they result in more sustain since the strings get pressed cleanly without interference from the fretboard. However, if they're too tall—like Jumbo frets—, you might change the pitch of the strings accidentally if you press too hard because you won't be touching the fretboard with your fingers. This is also why some guitarists with a heavy grip prefer smaller frets. They like to feel the fingerboard to avoid pressing down too hard and getting out of pitch.

    Final Playability Scores

    ESP E-II SN-2
    Bending & Vibrato Ease 80
    Chord Playability 70
    Solo Playability 80
    Playability 77
    PRS S2 McCarty 594 Thinline
    Bending & Vibrato Ease 85
    Chord Playability 75
    Solo Playability 65
    Playability 75